Netflix with about 700 New Original Series in 2018 and growing, is the most promising production partner for 2019. MoviePitcher is working closely with literary agents that stream projects directly to Netflix on both sides of the Atlantic, pushing our clients’ projects to both US and EU regional pitching camps.

Netflix, much like all major production companies, does not accept unsolicited projects directly from creators. With Movie Pitcher as your agent, it has never been easier to promote your project to Netflix as well as a plethora of other production companies.

We have streamlined the entire process of promoting a project to Netflix along with other major studios through our simple Start Pitching Package. A low cost all inclusive service that is by far the best selling pitching package on the internet with thousands of satisfied clients.

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**Q&A Friday/Saturday (Jan 20, 21) with Director/actor Christopher Papakaliatis following the 7:30PM show!

**Q&A Sunday (Jan 22) with Director/actor Christopher Papakaliatis and J.K. Simmons following the 7:30PM show!

Showtimes: Fri/Sat/Sun 7:30pm More Showtimes to be Announced, Check arclightcinemas.com for details

6360 W. Sunset Blvd.,
Los Angeles, CA 90028

MAP

Buy Tickets Now

About the film:

Worlds Apart is the second feature film by celebrated actor/writer/director Christopher Papakaliatis set a new record in the Greek market, earning the top box office gross since 2009!

The film was released theatrically on December 17, 2015 in Greece & Cyprus, by Village Roadshow Greece.

Having received remarkable reviews from Greek film critics, Worlds Apart enjoyed an international festival run and has been released theatrically in 13 countries.

AUDIENCE AWARD
Los Angeles Greek Film Festival

OFFICIAL SELECTION
Zurich Film Festival

OFFICIAL SELECTION
Australian Greek Film Festival

OFFICIAL SELECTION
New York Greek Film Festival

“LOVED it. Don’t miss it.”
– JEFFREY LYONS / Lyon’s Den Radio

“Powerful, engrossing and provocative. Just the right blend of Truth and Spectacle!”
– AVI OFFER / NYCMovieGuru.com

“The impeccable ensemble performance from each chapter creates a complete marvel of a romantic drama.”
– GERALD WRIGHT – HDFEST.COM

Set in modern day Greece, Worlds Apart is comprised of three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe overall, only to connect as a single story in the end. Almost like a triptych work of art where each painting stands alone, its true impact lies when viewed as a whole.

The location and the era in which the story takes place is influenced by the current political climate in Southern Europe and particularly the constant unemployment growth, the accelerating numbers of incoming illegal immigrants and the rise of a violent extremist sociopolitical party in Greece. The story however, surpasses the culture-specific elements by thematizing love, fear, family values and the other aspects of life relatable in a universal level, crossing cultural and age barriers, thus appealing to an international audience.

Ensemble cast includes: Christopher Papakaliatis, Oscar & Golden Globe Award winner J.K Simmons, Hellenic Film Academy Winner Minas Chatzisavvas, Andrea Osvart, Maria Kavoyianni, Niki Vakali, Tawfeek Barhom, Odysseas Papaspiliopoulos, and Matthaios Korovesis

Written & Directed by Christopher Papakaliatis

The post New Film Release – Worlds Apart appeared first on MoviePitcher.com.

The film opens Friday January 13, 2017 at the Village East in NYC and both Christopher and J.K. will be in attendance at the 7:30pm show!

VILLAGE EAST CINEMA

181 2nd Avenue

New York, NY 10003

(212) 529-6998

**Q&As Friday (1/13) with Director/actor Christopher Papakaliatis and J.K. Simmons & Saturday (1/14) with Director/actor Christopher Papakaliatis following the main evening show!

Fri/Sat: **7:30pm, 10:30pm

Sun-Thurs: 11:30am, 2:10pm, 4:50pm, 7:30pm, 10:10pm

View Showtimes and Buy Tickets Online

The post Worlds Apart appeared first on MoviePitcher.com.

Awards

• 1st Place Best Screenplay + $5,000 Prize
• 2nd Place Best Screenplay
• 3rd Place Best Screenplay
• Best Teleplay

All winners receive a place on the screenwriters Q and A panel at the IFS Screenplay Contest Awards ceremony and our laurel leaf certificate that will be presented to the winners at our Screenwriters Award Ceremony.

Winners will be mentioned in our awards announcement to trade publications, media, agents, production companies, and producers.

Some Winners in attendance will have a chance for Live Read Thru of script with local theater actors.

Competition Results Announcement Schedule

The Feature Screenplay Winner will be announced May 29th, 2019.

Eligibility

Cover pages should include only the following:
Title
Author Name
Copyright Information (if applicable)
IFS issued tracking number.
All scripts must be submitted in English.
Text for the entire screenplay must be formatted in 12 Point Font using Arial, Courier, or American Typewriter font.

General margin rule, 1.5 left, 1 right and 1 top and bottom.

Submission File Format Requirements:

• PDF (.pdf)
• Microsoft Word (.doc)
• Microsoft Word (.docx)
• Final Draft (.fdr)
• Final Draft (.fdx)
• Final Draft Secure (.fds)
• Rich Text (.rtf)
• Plain Text (.txt)
• Movie Magic Screenwriter (.scw)

Screenplays and Teleplays submitted must not have been previously optioned, purchased or produced to be eligible for our contest.

Entries will not be returned.

Submission Deadline:

March 20, 2019

Find Out More

The post 2019 IFS FILM FESTIVAL appeared first on MoviePitcher.com.

Awards

• The Feature Winner of the 2019 Competition will receive $15,000. Four Feature Finalists will receive $2500 each.
• The Shorts Winner of the 2019 Competition will receive $10,000. Three Shorts Finalists will receive $2000 each.
• The Cordelia Prize will be awarded to the Best Feature screenplay written by a screenwriter residing in the UK and will receive $2000.
• The Joplin Award will be awarded to the Best Feature screenplay written by a screenwriter residing outside the USA, Canada or the UK and will receive $2000.
• The Roshan Award will be awarded to the Best Feature screenplay written by a screenwriter residing in India and will receive $2000.

Competition Results Announcement Schedule

• Quarter-Finalists will be announced February 7th, 2019
• Semi-Finalists will be announced March 1st, 2019.
• Shorts Finalists will be announced March 13th, 2019.
• Feature Finalists will be announced March 14th, 2019.
• Roshan Award will be announced March 19th, 2019.
• Joplin Award will be announced March 20th, 2019.
• Cordelia Award will be announced March 21st, 2019.
• The Shorts Screenplay Winner will be announced March 28th, 2019.
• The Feature Screenplay Winner will be announced March 30th, 2019.

Eligibility

• Submitted scripts must be original screenplays, and the sole property of the applicant(s).
• All ages are eligible.
• All entries must be in English.
• Feature screenplays must be between 65 and 125 pages in length. Absolutely no exceptions.
• Short screenplays must be between 1 and 49 pages in length. Absolutely no exceptions.
• There is no limit to the number of screenplays you may submit.
• You may submit a screenplay one time and resubmit that screenplay once.
• All entries must be uploaded in PDF format.
• Under absolutely no circumstances will substitutions of either corrected pages or new drafts of the entry screenplay(s) be made. Screenplays will not be returned.
• If a submitted screenplay becomes optioned, produced or purchased between the time of submission and the end of the judging period, that screenplay will no longer be eligible.
• Competition judges, readers and employees of the BlueCat Screenplay Competition, past and present, and their immediate friends and families, are not eligible to enter.
• Previous winners of the BlueCat Screenplay Competition are not eligible.
• Screenplays, including outlines, treatments, pitches, log lines or any developmental material related to screenplay, that have previously won any contest, competition, grant, lab, fellowship, mentorship, reading or award of any kind, are not eligible.
• Screenplays submitted under a pen name will be immediately disqualified.
• Screenplay titles cannot be changed upon resubmission under any circumstances.
• Screenplays that have been submitted to any competition or contest prior to November 15th, 2012 are not eligible.
• Past and present scripts consulted on through Gordy Hoffman’s screenplay consultation service or the BlueCat workshops are not eligible.
• Past and Present USC and UCLA students of Gordy Hoffman are not eligible.
• Screenplays uploaded or posted online to the public are not eligible.

Submission Deadline:

October 5, 2019

Find Out More

The post 2019 BlueCat Screenplay Competition appeared first on MoviePitcher.com.

How can MoviePitcher help you submit your screenplay?

MoviePitcher helps its members submit their projects to screenplay competitions and film festivals worldwide. There are hundreds of festivals each year with different requirements, various awards and with different submission deadlines. As a member, you will enjoy the benefits of having a dedicated team recommending the best and most beneficial festivals based on your project along with a hustle free submission process to as many festivals and competitions you want.

What are the benefits of the service?

• Dedicated Team: Let us do the hard work and find the best festival options for you. We’ll keep track of all the deadlines and organize your process.
• Requirement Check: We will check the requirements for each competition and make sure you fully comply.
• One-click Submit: You only submit your project to us once and we do the rest. One click submissions to as many festivals as you want.
• Profile Page: You will have your own personal profile page on MoviePitcher and a listing in our Featured Projects Database.
• Promotion: With each festival acceptance, you project will be publicized on our 100k visitor website.
• Social Media Exposure: Your project will get promoted through our social media network including Facebook, Tweeter, Linkedin, Stumbleupon and Tumblr.
• Press Release: With each festival award, we will issue a press release through our network to more than 10,000 news outlets, 100,000 journalists and 1,600 news websites.
• Plus All The Start Pitching Package Benefits! See the full Start Pitching Package benefits.

How does it work?

The first thing you need to do is to submit your project through the Start Pitching Package. Your project will be registered and reviewed within a week. Based on your project, your account manager will recommend the upcoming festivals and competitions that are most beneficial for your project. You can easily submit to those festivals or you can even request to submit it to a any specific festival you have in mind.

How to proceed?

To take advantage of this service, you will first need the Start Pitching Package below. Your dedicated account manager will guide you through every step of submiting your project to us and to any festival or screenplay competition. Existing members can easily submit their existing project to any festival.

New Member Service Signup  Existing Member One-click Submit

Upcoming Festivals And Competitions:

• 23rd Annual Los Angeles IFS Screenplay and Teleplay Competition

The post Screenplay Competitions And Film Festivals appeared first on MoviePitcher.com.

WHAT ARE CREATOR PAGES?

Creator Pages is a brand new feature released by MoviePitcher that aims at increasing the exposure of both projects as well as creators like you. This feature is offered absolutely free to all our members and it helps producers find more information about you and your active projects.

View Featured Profiles

Who gets a Creator Page?

All our members get their own creator page as long as they have at least one active project. When you sign up with a Start Pitching Package, you will have your own profile page with your unique URL address.

Can I use my creator link to promote my page to producers?

Yes, you have your own unique URL for your profile page and you can use it to showcase your work and promote your projects. Don’t forget to Like your page as it makes it more popular amongst search results.

Are my projects public now?

No, your projects are 100% private and protected, as they were when you signed up with MoviePitcher. The only information displayed publicly are the project titles, types and genres. No information regarding your concept that can be adopted is disclosed to the public.

Is MoviePitcher my agent and can I forward interested producers to my page?

MoviePitcher is not an agent, as we do not hold exclusive rights for promoting your project. We do represent you though so you can forward any interested parties to your page. Our executives will communicate with interested parties on your behalf and assist in the potential negotiation of the project.

How can I update my Creator Page?

All you need to do is add your biography and a profile picture. You can do this by logging into your account and going to Edit Account Details. You can add your biography and enter your Facebook ID for your picture.
See Detailed Instructions

How to sign up

In order to have a Creator Page, you will first need to submit a project through the Start Pitching Package below.

Start Pitching Now

The post Introducing Creator Pages appeared first on MoviePitcher.com.

With The Start Pitching Package You Can Pitch:

– A TV Show, Reality Show or Game Show
– To Studios, Networks and Production Companies
– Get Unlimited Exposure Throughout Time
– Industry Expert Review And Registration
– For $99 With No Hidden Charges Or Fees!

How It Works

Submission

Once you purchase the Start Pitching Package, your account manager will guide you through the process of submitting your idea in industry format and providing you with example completed forms of TV shows.

Registration

When you submit your idea, you will receive a registration certificate with a timestamp and a registration number. This acts as proof that you have submitted the idea on the specific time and date.

Review

Your project then undergoes a review by a creative expert. The review process takes one to two weeks to complete unless you choose the 48 hour expedited review. The purpose of the review is to help you improve the presentation of your pitch, make any corrections necessary, pinpoint any issues that might hinder the sale of the project and give you an estimate of how well it can perform during the pitching process.

Pitching

Once your project is reviewed and accepted, it will start getting exposure to studios, networks and production companies that are looking for TV, Reality and Game shows. Every time your project is being considered by a producer, you will receive an email notification so as to get an idea of the exposure your project is getting.

Negotiation

If a producer is interested in your project, we will start the negotiation process on your behalf. We will answer any questions and try to negotiate as much as possible in terms of option money, screen credit, back end profits and creative involvement.

Offer

In the event that an offer is secured, it will be forwarded to you for review and you can either accept it or reject it if you feel that it is not right for you. If you accept the offer, we will finalize the proceedings, signing the contracts and send you the payment. If you reject the offer, your project continues to get exposure.

Additional Information

MoviePitcher provides exposure to your project and assists in the negotiation, but is not an agent and therefore there are no exclusive, long-term contracts for representing your idea. This means that you can promote your idea through other means at the same time and you can at any time cancel your service. MoviePitcher receives a 15% commission on the amount sold, only in the event that a project is successfully negotiated and sold. If a project is not sold, there are no extra charges, fees or commissions other than the initial cost of the Start Pitching Package. Being able to reject an offer, means that you are not obligated to sell your project if the offer secured is not satisfactory.

Start Pitching Now

Interesting TV Show Pitching News:

Expert Advice And 7 Ways To Improve Your TV Show Pitch

Selling a TV show or Reality show seems very hard to impossible for most people, even though they might have an amazing project in mind. When you don’t know where to start, how to form your pitch or where to pitch it, it can be a daunting task. If you are looking for a simple, guided and cost effective way to promote your TV show, we would recommend the Start Pitching Package.

There is no doubt that TV shows are on the rise, and the demand for fresh concepts and ideas has skyrocketed as well. As FX Networks president John Landgraf mentioned, there were just 35 scripted shows on cable when The Shield premiered 11 years ago; now that number is up to 143. And we see exponential growth as additional networks get into the scripted series game. Discovery, Bravo, E! and Sundance Channel all have dramatic programming in the works, while A&E dropped all acquisitions and runs a 100 percent original primetime lineup. Digital platforms such as Netflix, Amazon and Hulu are also debuting their own series, starting with Netflix’s House of Cards, and Amazon’s Alpha House and so on.

Even though demand has risen, new project exposure has still remained a difficult to impossible task for most creative people and up until a couple of years ago, priority on new projects was a right to a privileged few established personas in the entertainment industry.

It was only a couple of years ago that new companies came into play with the goal of using technology to streamline the pipeline of new projects to studios, networks and production companies. The fact is that a great project can come from anyone and breaching the huge gap of less established as well as ordinary people being able to promote their projects, was long overdue. Companies such as MoviePitcher and Amazon, aimed at establishing ways to democratize the pitching process and making it easy for people to expose their ideas in the market.

You may be wondering why the effort to bring projects from just about anyone to the table and the answer can best be summed up by a quote from MoviePitcher CEO Stavrinos Xenides at a February 2013 conference stating “At the early stages of project scouting, finding the right idea is simply a numbers game. Not only the because the more ideas you have on the table the most chances you have of finding an exceptional one, but also because nowadays demographics and profitability numbers is an integral part in the decision process of green-lighting a project”.

This is especially true when it comes to TV shows compared to feature films, as TV shows require a much lower initial budget and a lot easier to deploy and measure their success. Many shows are dropped after a couple of seasons while new ones emerge.

When it comes to selling your TV show idea, there is a lot of competition but now there’s a way to get equal exposure and the process of submitting a project has never been simpler or more cost effective. With a product like the Start Pitching Package, anyone can submit an idea for less than $100 and get constant exposure throughout time to the right people. A very simple process with guided help to submit in industry standard format, registration and even a review and feedback by an industry expert.

There are a number of things that can improve the chances of your project. Here are 7 pointers that can help improve your TV show pitch:

1. Originality: The uniqueness of a concept is a crucial factor. Come up with something that hasn’t been done before rather than offering a tweaked version of an existing concept.
2. Creativity: Having an original idea doesn’t always make it interesting. Make sure your concept is intriguing and captivating.
3. Marketability: If you have an original and creative project, it is crucial for it to be segmented to target an audience that would respond to it. Enter the mindset of that audience and try to give them what they need.
4. Production Cost: Some projects are more costly to produce than others depending on the screenplay. While cheaper is not always better, when it comes to TV shows, a relatively low cost project will have a better chance to get a trial season compared to one that would have higher initial costs.
5. Scripted VS Non-Scripted: Even though some projects such as Reality Shows are naturally non-scripted, for the rest of them it helps if you have a well-developed screenplay of at least the pilot. Trying to sell just the idea of a scripted project without a screenplay, adds to the risk and development time of the project in the eyes of a producer. It therefore decreases the chances of it getting picked up and places a lot more emphasis on the quality of the idea.
6. Presentation: Having a well defined and presented idea is crucial as you never get a second chance to make a first impression. Getting a review of your log-line and synopsis by an industry expert before promoting your pitch is highly recommended. Conforming to industry standards is also important, keeping your synopsis short, precise, informational and intriguing.
7. Representation: Having a company that specializes in pitching is essential. It may be that you know your project best and you’re the most passionate about it, but when it comes to pitching, passion is a serious deterrent. Pitching is a specialized art within the realms of deal making and in deal making, passion translates more often that not into lack of objectivity. A good project will sell itself and producers know a winner project when they see one. It’s important for the representative to have a good understanding of the entire process rather than just a good understanding of the project, especially when it comes to securing a good deal.

Start Pitching Now

The post How To Pitch A TV Show appeared first on MoviePitcher.com.

Address: Los Angeles (Hollywood), California

Telephone Number: +1-818-356-4122

Email: press@moviepitcher.com

Movie Pitcher Inc. is now offering a Start Pitching Package

Movie Pitcher Inc. is a company in Los Angeles, California that was organized to help the Entertainment Industry grow further by providing producers and executives a database with excellent film and TV show ideas that are registered and production ready. By streamlining the pitching process, the company helps its members share their projects and offers deal-making representation for most major production companies in the US and the UK. The main goal of the company is to make to simplify and democratize the pitching process while at the same time offer an invaluable service for studios, networks and production companies.

Right now, the all-new Start Pitching Package is already available in the product line of the company to satisfy the needs of the writers, directors, producers and ordinary people who are interested to share their unique and wonderful ideas to major Hollywood Executives. It will be an excellent investment for those individuals who really want to share their projects and get exposure in the Industry while aiming to sell their projects for a considerable amount of option money.

At a marginal price of less than $100, writers, directors, producers and ordinary individuals can already submit their new TV show and film ideas to the major Hollywood executives easily with the use of the Start Pitching Package. It’s something that will provide them with stronger connections to all of the members of the Hollywood industry who are willing to pay up to $50,000 as option money for an idea or up to $700,000 for a screenplay to those individuals who can help to make their future Hollywood films and TV shows more entertaining.

The process of submitting a new idea to Hollywood can be easily accomplished in just three steps included in the pitching package. First, register a unique and interesting idea in the database. Second, wait for the results of the review of the idea that will be conducted by a Hollywood creative expert. Third, the companies’ executives will continuously pitch the idea to the major Hollywood executives and negotiate deals on your behalf.

###

To get more information about Movie Pitcher Inc., please feel free to visit http://www.moviepitcher.com. For inquiries, call at this telephone number: +1-818-356-4122.

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Is there a difference between a Villain and an Opponent? There is a fine line, yes, and it’s usually dependent upon genre. Disney has basically cornered the market on the “Villain” and yet, at the same time, any Villain is also an Opponent. But when looking at a Drama or even a Romantic Comedy, one wouldn’t necessarily have to call the Opponent a Villain. Why? It’s primarily due to how the Opponent is set-up from the start. Is the Opponent’s motive purely evil? Is it for world domination? Population enslavement? To gain ultimate power and control? If your answer to these questions (when considering the Opponent you are currently creating) is ‘yes’, then you most likely have a Villain on your hands.

The purpose of a Villain compared to an Opponent, however, is basically the same thing: to help the Main Character achieve his physical goal, and to assist the Main Character in overcoming his emotional problem. 

Yes, you read that correctly – “to assist” and “help”. Please remember that each and every character in your story is developed in order to serve the purposes of your Main Character’s story.

(“I have an apple and I’m not afraid to use it!”)

This is the part of story building where you get to act as a philosopher or deep spiritualist thinker. Maybe that’s a bit dramatic in explanation, but we are discussing Villains after all. Consider any person in your life who has happened to be some kind of an enemy. Whether this person was a bully in high school, a power mongering boss, a demented teacher, there has most likely been someone in your life who has represented all that you find wrong in the world (again with the dramatics). In your response to these people, you had two options: you cowered in the corner and accepted the jerk’s command over you and your fears, or you overcame this enemy and therefore became a better person because of him.

This is likely the most important aspect of any Opponent in any story. She gets in the character’s way with a specific goal and yet the Hero somehow overcomes her and becomes a stronger individual in the end. Basic. Obvious. Straight forward. Now let the nuances begin.

A Representation of a Physical Goal and Emotional Problem

(“I can fly on a broom and shoot fire from my hands, but please don’t make me do the ALS Ice Bucket Challenge.”)

Setting aside the differences between a Villain and an Opponent, we will look at what an Opponent generally represents in most stories. I say “most” because it is a challenge to generalize every single Opponent ever written, and it would be foolish to say it in such a blanket statement. Nonetheless, when developing a Main Character (as I have covered in previous blogs), the writer has to come up with the basics of some kind of emotional issue or problem that the Main Character must overcome – even if just a little – by the end of the story. The resolution and/or correction of this problem is what states theme – either literally or figuratively. Most Disney movies quite literally state theme verbally, but most do not and thus you, the writer, must state it through the correction of whatever emotional issue the Main Character is facing. This is where the Opponent can really shine.

(“Have you gotten rid of that idiot Uncle Billy yet?”)

The Opponent (and his motive) is virtually always connected to the eventual correction of the Main Character’s emotional problem. What does this mean, exactly? As a very basic example: if a Main Character is dealing with issues of being romantically hopeless, from which stems issues of self-doubt and lack of confidence, then an Opponent would enter the scene in order to draw out those emotional issues. He would present the Hero with situations, moments, and scenes that force the Main Character to face up to his fears. Even more importantly, the Opponent could have a motive that has something to do with achieving the same intended goal as the Hero (like dating the most popular girl in school – the very girl the Hero is in love with, etc). These goals will clash in some way and therefore create obstacles for the Main Character. Obstacles that eventually make the Hero stronger.

In a lot of ways the Opponent is very similar to the Dynamic Character (the secondary character that goes on the Adventure with the Main Character). Both are placing obstacles in front of the Hero, but for different reasons. The Dynamic Character is pushing the Hero to do things, say things, “be” things in order to achieve a goal because he wants his Hero to achieve the goal. The Opponent is doing the same thing, but unaware that the obstacles will help the Hero in the end. The Opponent doesn’t understand that the support he is giving the Hero is actually helping him because the evil little jerk is acting out of his own selfish devices and motives.

The obstacles presented by each can also be different in that the challenges the Hero will face due to the Dynamic Character’s intervention will be disguised as positive and necessary steps, whereas the Opponent’s obstacles will come in as surprises or twists or a possible estrangement from a loved one (a death, relationship break-up, etc).

(“Clarice, just give me a sandwich and you’ll be fine.”)

The nuances I am explaining here can of course be considered formulaic, but when you understand the basics of a formula, you can tinker with it, alter it and beautify the formula in whatever way your mastery allows.

The Romantic Comedy Opponent

(“War of the Roses” – the marriage bliss ended years ago)

This is the biggest nuance for any writer when considering the development of an Opponent, and it’s primarily due to how difficult everyday romantic relationships can be! I say this with only half a giggle. Joking aside, the very make-up of a romantic relationship is rooted in the differences of two people and the eventual acceptance of such differences. It is ironic that one of the largest challenges the human race faces is the acceptance of each other’s differences. Love and romance tend to draw out such differences immediately. The inherent conflict within romance stems from the inability to accept change and the change that someone else – someone you apparently care about – is bringing into your life. This basically sums up any story every written. Change means conflict. Conflict means drama. Drama means Story. And yet within the natural structure of a Romantic Comedy reside the goals and motives of not one Hero, but two, and therefore not one Opponent, but two Opponents.

When Harry Met Sally… is the perfect example for the structure of a Romantic Comedy. It can be argued that Harry is the Main Character and Sally is Harry’s Opponent. Sally represents everything Harry doesn’t want in his life; extreme optimism, excessive naiveté, obsessive compulsion…the list can go on. Deep down, though, Harry needs to learn at least some of these things in order to live a happy life. At a lower level, Harry knows that he is a rather unhappy person. Sally is an extremely happy person. It takes Harry a long time to realize that it’s not just Sally that he needs in his life, but the subconscious lessons she taught him throughout their relationship. Looking at it from Sally’s perspective, however, shows that Harry is therefore Sally’s Opponent.

(“Ya see? You say things like that and make it impossible for me to hate you!

And I hate you, Harry. I really hate you.”)

They are each other’s Opponents, placing frustrating obstacles in front of each other unknowingly and yet, at times, on purpose (both Opponent actions and Dynamic Character actions). Sally is selfless, overly loving, wants to be married and to lead a simple little life. She wants to have a steady job, live in a nice comfortable house and live out the plan she made for herself after she graduated college. Harry is haphazard, unorganized, dangerously care free, and doesn’t have a plan. Can you see that based on the differences of motive (Opponent), the relationship between Harry and Sally (Dynamic) will result in both an extremely challenging adventure and an explosion of emotional issue-correction by the end?

Romantic Comedies usually have a Main Character that faces off with one other character (a Romantic Interest) that is both an Opponent and a Dynamic Character, but this is primarily because of the role in which that Dynamic Character is playing. They tend to switch roles as the story progresses. In other words, you can break down most Romantic Comedies and see that a Romantic Interest begins the story in the form of an Opponent and ends the story in the form of a Dynamic Character. How they get to that point is completely up to the writer (again, learn the formula and then change it).

The Sympathetic Opponent

In this writer’s humble opinion, the best way to create a strong Opponent is to offer the audience a strong reason as to why the Opponent is the way he is. Give the audience a very clear understanding as to what the Opponent’s Motive is and why he wants it/needs it. On one hand, the clarity simply helps move the story forward and doesn’t confuse the audience, but on the other hand it solidifies the emotional connection between the audience and Opponent and, therefore, offers more drama.

Creating sympathy for an Opponent or Villain doesn’t mean that a full back story is needed (a la the recent Maleficent), but a clue into the fears or deeper intentions of your Opponent can help the audience get a handle on why he or she is being so evil, nasty, or illegal, or whatever it is the Opponent is doing. In defense of Disney’s Maleficent, though, the audience clearly understood why she was so evil and it allowed us, the viewers, to always have that memory of “why” in the back of our movie-going minds while watching her act out. Sure, it could be argued that Maleficent was the Main Character and therefore allowed the writer(s) to delve deeper into her character development, but even the slightest show of why will give the audience a deeper rooting interest in the full story, and allow for the Hero to better understand the mind of his enemy (which, ultimately, will enable a stronger statement of theme).

(A blog post about Villains and Opponents is not complete without a little Newman.)

Everything is connected. The Opponent is just as important as the Main Character since he or she presents your Hero with conflict, change, drama, and his eventual victory. Challenge your Hero as much as possible by making his or her journey as difficult as possible – your Opponent will be happy to help. 

The post The Make-Up Of A Villain: Establishing A Powerful Opponent appeared first on MoviePitcher.com.

(“The force is strong here…and it’s telling me you need a haircut.”)

Why is this? Why is it that when Harry Potter is quite obviously the hero, we fawn over Albus Dumbledore, Ron and Hermione? A very real and obvious response is that such characters are well-developed, layered, emotionally charged, and just plain well-written. There is, however, another reason – one of extreme importance when building and developing a concept.

(“Take the ring to Mordor, Harry. Er, I mean…”)

“Behind every great man there is a great woman”, is a nod to this belief of a story’s Dynamic Character (secondary character) being equally as important as its Main Character.

(“He’s behind me, isn’t he?”)

This blog post could be cut quite short with the simple statement of, “No Main Character or hero can change, evolve or develop without the assistance of an outside force.” We will dive deeper into this particular statement, though, since this post would be rather boring and unhelpful without some form an explanation. More importantly, understanding the importance of a Dynamic Character within your story could be what propels you to craft a more exciting, emotional, and enjoyable project.

(“Maybe this Almanac thing isn’t such a bad idea.”)

Many of you, I am sure, have heard of the basic story structure statements of, “Man vs. Nature”, “Man vs. Man”, “Man vs. Self”, etc.  Such statements are far too general when attempting to create entire worlds and engaging characters, however. Take, for instance, the statement of, “I am writing a Man vs. Self story.” That’s nice, but what does that mean? Is he punching himself in the face at any given moment? Is he sitting in front of a mirror all day, every day, and having conversations with his own image? Does he have a doppelganger that mimics his moves, intent, thoughts, etc? All of these questions create completely different stories, adventures and potential themes, so why be vague?

(Even the purposely independent Batman has Commissioner Gordon and Alfred.)

It is crucial to understand a particular aspect of such a statement as Man vs. Self. All stories have some semblance of “Man vs. Self”. No matter the movie, book, theatrical play, poem or TV show, every single story has an aspect of a person fighting to gain control over some kind of aspect of his life, and therefore becoming a little better than he used to be, OR failing at becoming better than he used to be and thus learning a valuable (albeit depressing) lesson. And here is a newsflash; all of these stories had a Dynamic Character of some kind embodying the qualities that will allow the Main Character to change.

(“Did I leave the iron on?”)

I can hear the comments now, “What about Tom Hanks in Castaway? He spent the majority of the movie alone on an island! Who was his Dynamic Character?” Robert Zemeckis needed more than a photo of Helen Hunt for Tom Hanks to evolve, so he created Wilson, the volleyball. What does Wilson do in the end? He floats away, forcing Hanks to make a decision. Wilson embodied Tom Hanks’ need to let go, move on, and trust the unknown. What was Tom Hanks’ character’s job in the movie? He was an overly organized logistics manager for FedEx that lived a life based completely around schedules and planned expectations. The following scene, after Wilson floats away and Hanks is rescued, is an amazing monologue where Hanks describes his time on the island and how he, “had power over nothing”, and all he could do was “keep breathing”. Could it be argued that the island itself was his Dynamic Character? In some ways, yes, but the island was embodied by a bloodied volleyball named Wilson because there was ahuman, relational aspect to the character dynamic and in a subtle, but very real sense, Wilson helped him change.

(“No! You can not have any ice cream before dinner!”)

The Dynamic Character as an Opponent: The best of friends is not someone who consistently says ‘yes’ to you, agrees with everything you say, and dotes upon you like a servant. The best kind of friend is the one who challenges you, pushes you toward a mountain that he knows you can climb even when you have given up. This friend, with certainty based in a realm of love and acceptance, knows what is best for you because he knows the best in you has yet to shine. Can she be annoying? Can she frustrate you beyond words? Can he assume the role of an enemy? Yes, but why can they be such things? Because they are forcing us to make the hard decisions, change, and to be better than we used to be all while admitting we are imperfect. Since character development and evolution most often drives an adventure, the essence of change becomes evident through every obstacle, and such change is charged and catalyzed because of the Dynamic Character.

In order to create a strong Dynamic Character, your Main Character’s internal struggle and problem (or “Misbehavior”) needs to be clearly defined.Without knowing what emotional struggle your MC is trying to manage (or trying to ignore), then you won’t truly understand how the assigned Dynamic Character will be able to help, and much less provide moments and setpieces during the Adventure that affect and change the Main Character. Yes, you read that correctly – “Dynamic Character provides moments and setpieces during the Adventure”. If you need to read it again, please do so.

(“He made fun of our hats. Shoot him.”)

This is such a vital aspect of storytelling that writers tend to either forget or not understand. When you are having difficulty brainstorming scenes and moments for your concept and Adventure, look to your Dynamic Character and how he can make things more difficult for your hero. By brainstorming a list of ways your DC can place obstacles in front of your MC, you suddenly create a list of scenes and moments that outline the 2^nd Act Adventure. Evolving such obstacles so that they become more and more entertaining, challenging and/or difficult will then create more conflict, drama, action, suspense…you get the idea. Every character in your story is tasked with the responsibility to affect change in and therefore develop your hero. If there are characters in your story that do not progress your hero’s Adventure in some way, they need to go.

(“Who’s the real winner today? Mikey’s the real winner!”)

The Unsung Hero. The force behind the force, or to quote the Jon Favreau and Vince Vaughn flick, Swingers, “the guy behind the guy”.

The invisible energy that propels action, conquest, and resolution, and yet finds solace in never receiving credit. This is the Dynamic Character. Your hero needs help, whether he knows it or not, and the Dynamic Character will be there for her to spot the cracks in the hull and either make the cracks even bigger in order to prove a point, or patch them up. Samwise Gamgee of The Lord of the Rings epitomizes the role of a Dynamic Character – ever loyal, ever helpful, and always pushing Frodo to keep moving forward. And when Frodo physically couldn’t go on, “I may not be able to carry it for you, but I can carry you.” Samwise knew what was best for Frodo, despite Frodo’s plea to stop. Had Sam given in, there wouldn’t have been a story in the first place.

Your Dynamic Character deserves more credit than you are giving him. Let her shine by focusing just as much time on her character’s development as your hero’s. Your story, and your writing, deserves it.

Max Timm is a 10-year veteran of the writing and screenwriting industry having been the Director of Development at a school for screenwriters, a screenwriting instructor, private consultant for A-List clients, as well as a novelist. His first book, a young adult novel titled, The WishKeeper was released in November 2013. You can follow Max on Twitter @iMaxTimm or on Instagram @TheWishKeeper

The post Help Me Obi-Wan: Creating A Dynamic Secondary Character appeared first on MoviePitcher.com.

Quick Tips:

Basic Character Tip #1:  The audience should root for or against him or her, and yet always find some way to relate.

Examples: Hiccup (How to Train Your Dragon) and Walter White (Breaking Bad).  Two VERY different heroes and yet the audience is able to relate on an emotional level AND root for them despite their actions.

Basic Character Tip #2: The MC (main character) is the driving force behind a story’s emotion. If your story is not creating some form of an emotional reaction in your audience (or readers), your MC is probably not strong enough (well-developed).

Basic Character Tip #3: Your Main Character should have an internal goal AND an external goal.

**Below, George Bailey from It’s A Wonderful Life.  Simple: an external goal of needing to get his hands on $8,000, and an internal goal of accepting his sense of self-importance and value. “Ya know, George? You really had a wonderful life.” —from his dynamic character, literally a guardian angel, Clarence Oddbotty

Whether a Character Knows It or Not, He Has a Contract With Himself – A Contract That Must Be Successfully Fulfilled 

What this means is that whether or not the hero knows of his internal goal, he must go on an adventure in order to achieve this goal. This is often the difference between a “reluctant hero” and a “willing hero”. It is in the overcoming of emotional barriers and obstacles that provides entertaining setpieces and moments throughout the middle of the story.

Without a fully developed main character with thoroughly detrimental emotional issues, the adventure and overall story will very simply fall flat.  Does this mean that every character needs to be some form a mental patient? Of course not. But I do mean that every character’s emotional obstacle needs to be important to THEM (him or her).

Let’s use The 40 Year-Old Virgin as an example…

He’s 40 years old and terrible with women. So terrible, he’s never had sex. On the surface and a materialistic level, this is not front page news nor is it a socio-political problem, etc. But to the main character, this problem is so detrimental it is ruining his life. That’s how big the internal goal for any hero needs to be and no matter the genre – the goal needs to be life changing in SOME way to him or her. And it is our job as a writer to convince the audience how important this issue really is.

It is also possible to say, a “life-altering” goal. Not all emotional issues will necessarily change a person’s life entirely, but we as writers need to present to the audience such an emotional issue as if it is that important. How different will her life be after she achieves this goal? The reader/audience needs to be “all in” or why are they even bothering? The audience is watching this particular moment or series of moments of the MC’s life because it is the most important series of moments of the character’s life thus far.

Allow Your Hero to Have One Main, External Goal – Something He or She Needs To “Do” In order to “Win”. 

This is a basic, object-based goal, i.e. “bring the ring to Mordor and destroy it” (an have no fear, Frodo Kitty will take the ring).

But a more important goal is an internal one, i.e. “learn how to let go and not control others”.  Finding Nemo is a perfect example.

The external goal is in the title! Find Nemo! The thematic reason Marlin (Nemo’s father) is going on the adventure is not just because he needs to find and rescue his son, it’s because he needs to learn how to let go and let his son grow up. In a sense, the thematic title of the movie could be Finding Marlin.

This ties into the hero’s emotional obstacle; what the character needs to overcome personally. So, in order for Marlin to learn how to let go (internal goal), he needs to lose his son and try to rescue him (external goal). In the image above and being pure Disney, Dory literally yells at Marlin, “YOU NEED TO LET GO!”

Now…we’re not all writing Disney movies, but it is at least a quite obvious example of stating theme (which is naturally connected to the main character’s internal goal).

He didn’t know that he had the internal goal at the outset of the story. It’s like an emotional “switch-eroo” for the character. He starts out on an adventure for one very specific reason and realizes, through facing and overcoming obstacles, the true reason for the adventure by the end. Ahh, morals of stories and thematic resolutions.

Most of the Time the Hero Doesn’t Know He Has an Internal Goal

Almost always does a hero first have an external goal – something of which he or she needs to achieve. As the adventure continues, he realizes what emotional issues need to be fixed (and rarely are they fixed easily).

Most often, the realizations of an internal goal are hit head on with stubbornness. This creates obstacles and they are therefore denied by the MC (denying that he or she actually needs to change). The MC notices how difficult it will be to overcome and achieve the internal issues and goal because he is so used to being this way (Yes Man, above, is an all-too perfect example). This is incredibly common in “real” life, much to our own dismay. We know we have to change certain habits, but change is never easy – especially when it is on a personal or spiritual level.

In order for a movie or book to be entertaining, the obstacle course the MC endures should reflect the hero’s personal issues in some way – whether obvious and deliberate, or subtle and simple.

(And here’s another image from Yes Man because it makes me giggle.)

Layered Emotional Obstacles

A lot of writers and story creators consider giving a hero multiple emotional issues in order for him or her to better relate to an audience, or to strike additional emotional chords with the audience throughout the adventure.

It would be ideal to focus on one major issue like “so risk averse, he never leaves his house”. You will notice, however, that additional layers naturally present themselves when creating and brainstorming one an emotional obstacle, because questions arise as if you’re sitting your character down in front of a psychiatrist. 

Here is an example of holding a little psych session with your main character…

“What caused you to be so risk averse? What happened – specifically, what event – to make you so terrified of life?”

Maybe an answer during the brainstorming/psych session is, “My father was a risk management advisor for the government. He died in an explosion that I caused.”

So, sure, we can see why he might be terrified of life, but is his true emotional obstacle just simply “risk averse”? I would argue there is more to it then that. I would say this character has major trust issues, and possibly not just of others. Maybe he doesn’t trust himself. What does that mean, really?

It could mean he doesn’t have any self-confidence. It could also mean that he has major parenting issues and refuses to ever be a father, and so therefore he ignores women and is horrified of being affectionate since it might cause someone to fall in love with him and he doesn’t want to hurt anyone, etc etc etc.

You can see where I’m going with this, but as you start listing the issues this character may or may not have, you immediately start picturing – naturally, because you’re a hell of a storyteller – moments and obstacles throughout the adventure that will force the hero to face up to his emotional issues.  In other words, the characters he meets and obstacles he overcomes represent in the very emotional issue he is trying to suppress and ignore.

Example:  scenes that show him parachuting from a plane, or even as simple as shaking the mail man’s hand – maybe that mail man has a daughter he would like to introduce to the hero… 

First considering your main character’s internal goal – whether he knows what it is or not – will allow for the external goal to become that much more important and, therefore, more of a challenge.

Writers Tend to First Consider an External Goal or “Plot Hook” for a Story or Project (in other words, Concept) 

There is of course nothing wrong with this, but it only becomes a problem when the writer forgets to connect how the hero is affected by the external goal…or more importantly, why the external goal (overall adventure) is so important for him to experience.

Do not become bogged down with plot, hook and concept for too long. Throw the plot down on paper, and then move on to how the hero is affected by it. I promise that the plot and external goal will change because of your brainstorms and inspired ideas regarding your main character’s internal and emotional issues.

Put the main character in the driver’s seat – whether he is willing to sit there or not.

Max Timm is a 10-year veteran of the writing and screenwriting industry having been the Director of Development at a school for screenwriters, a screenwriting instructor, private consultant for A-List clients, as well as a novelist. His first book, a young adult novel titled, The WishKeeper was released in November 2013. You can follow Max on Twitter @iMaxTimm or on Instagram @TheWishKeeper

The post Writer Tips: Creating Your Hero appeared first on MoviePitcher.com.

General

MoviePitcher has offered Maria Xenidou the amount of $38,000 as option money for her 3D Animation feature film idea Socrates & Soc while managing to attach her screenplay to the project. The idea was undertaken by the synonymous (Socrates & Soc LTD) production company formulated to produce the project along side with Ministry of Illusion, a state of the art South African based animation company. Through MoviePitcher’s efforts, Barry Cook (17 year Disney writer and director known for Mulan, Beauty and the Beast) was attached to the project as co-writer and director.

About the Project

Title: Socrates & Soc – The Adventure Begins

Log-Line: Two identical boys of the same age, with the same name, coming from the same city but from different centuries (456 BC and 2004 AD), trade places with the use of a magical ancient piece of marble. One of the boys happens to be the ancient Greek philosopher Socrates. A look into the past and the present through the eyes of two 12-year old boys. Experiences of ancient life-style. Breath-taking, humorous and adventurous situations.

Synopsis: A witty, breathtaking, and educational adventure, Socrates & Soc takes a look into the past and present through the eyes of two ten-year-old boys who trade places with the help of an ancient piece of marble with magical properties. The duo may be from different centuries, 460 BC and 2004 AD, but by chance they share the same name and hail from the same city in Greece, and what’s more, one of the boys happens to be the ancient philosopher Socrates. What happens to him in 2004? As a boy, he implements his philosophical ideas as a way of life, and author Maria Xenidou portrays him as shrewd, intelligent, and wise. Employing the dialectic method, he continually poses questions to invoke people into thinking about situations and issues, and after deduction, their own conclusions are exactly what the boy said in the first place. Some things just don’t make any sense to him, but there’s nothing complicated about one of the greatest minds experiencing for the first time fizzy drinks and burping! What happens to Soc in 460 B.C.? Witnessing the ancient Olympic Games, he has a chance to explore the ancient world, which he discovers is surprisingly liberal and advanced in ways he never expected. Without TV and Wii, Soc has a hard time adjusting to a life full of physical activities and mishaps. He learns to appreciate real things and gradually becomes addicted to a more natural way of life. A mystical and compelling story for ages five to twelve, the book is peppered with humor, steeped in ancient Greek philosophy, and guaranteed to equally amuse and amaze older readers.

About the Author

Born in 1953 on Christmas day in Nicosia, Cyprus, Maria Xenidou is deeply interested in psychology and has always found pleasure in painting, playing music, and writing. She was the artist in her family, and her friends and family describe her as a highly creative, amusing, and sensitive person. With a successful professional background in the field of nutrition and cosmetology, Xenidou has never given up on her inner calling. Her inherent communication skills and her great love of children inspired her to write Socrates & Soc. She strives to share the knowledge she acquired and the experience she gained over the years as a mother, and more recently as a grandmother, through her books.

“I first signed up thinking I have nothing to loose and when I got the offer I just couldn’t believe it. I have started this project 13 years ago and despite my hard work, I haven’t managed to realize my true vision of it that was always along the lines of Shreck and Finding Nemo. Finally I can see my dream come true and I sencerely thank you from the bottom of my heart. I could not have done it with out you.”

Maria Xenidou, Writer

Recent Projects:

When I was growing up, I really wanted to write a great story that will not only appeal to the public but to critics as well. I wanted to be like Tony Gilroy and Francis Ford Coppola who have created some of the best masterpieces in Hollywood. I have my ideas, but I don’t know how to sell it. MoviePitcher has become my weapon for achieving my dreams. In just a few simple steps, I was able to sell my idea for $7,000! Now, I’m already working on my next movie pitch that I can submit to other Hollywood execs!

– James Walter

I am extremely pleased for the help of MoviePitcher in selling my idea. I just presented them my original idea, they reviewed it, and the next thing I know, they have already pitched my idea to one of the biggest film studios in the country for $17,000! I couldn’t be happier! Thank You guys for the amazing experience that you have given me!

– Karen Roberts

Selling your idea to a network, production, or studio company is a game of chance. Lucky for me, MoviePitcher was there to help me throughout the process. They have access to agencies, studios, and companies that those of us who don’t have connections in the industry might not otherwise have. So far, half of my works are gaining positive responses. Definitely worth the money! Well done!

– Peter Johnson

Kudos to MoviePitcher for a job well done! They have spent extra time to review the screenplay that I have submitted. Their creative involvement has helped me determine the strengths and weaknesses of my story. I really appreciate their recommended alterations on my ideas as it helped improved its pitch ability. Because of this, I received awesome results!

– John Martin

MoviePitcher is the best company to trust if you want your ideas or screenplay to be sold as its highest value! Its Start Pitching Package suits my needs well. Within 2 months after I register and submitted by idea, they already have it reviewed by one of their Hollywood creative experts and pitched to major Hollywood executives for $140,000! I’m really impressed! Thank you for the great job!

– Samantha Gomez

I strongly recommend MoviePitcher to everyone trying to break in Hollywood! I would never have sold any of my ideas to the Hollywood film industry if it wasn’t for their help. For just a minimal charge of $39, I have already registered my idea to their database and have it reviewed. Plus, they also attached A-list actors and pitch my idea to studios on my behalf; all of these at NO extra cost! I will definitely hire the company again!

– Chris Bennett

MoviePitcher does not only help me sell my ideas but also gives me the chance to write excellent scripts that would appeal and catch the interest of Hollywood studios as well as producers and other executives. They have done an exceptional job in polishing my work that I was able to sell it for $2,500! Until now I still can’t believe that my idea will cost that much! This has been a superb experience!

– David Franco

The post Latest Pitching Success Stories appeared first on MoviePitcher.com.

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• Alaska TV Productions
• Alaula Productions
• Alba Films
• Alban Horncastle Management
• Albany
• Albert Granville
• Albino Injun Productions
• AlbinoHedgehog Films
• Albion Film Corp. (I)
• Albion Films
• Albomat
• Alchemedia Films
• Alchemist Films (Devil’s Gate) Limited
• Alchemy Records
• Alchemy Television
• Alchin Films
• Alcoba Films
• Alcove Entertainment
• Aldemar Productions
• Aldridge FT
• Alex Odam Films
• Alex Strasser Films
• Alexander Films
• Alexandra Henderson Associates (AHA)
• Alfresco
• Algernon Productions
• Algorithm Group
• Alibi Pictures
• Alibon Entertainment
• Alienated Films
• Alipur Films
• Alison Jackson
• Alistair Clark
• Alive Productions (II)
• Alive Productions
• Alizarin Productions
• All Action Media
• All Around the World Baby
• All Colours Arts
• All Enquiries Productions
• All Films
• All Knight Productions
• All Night Long Productions
• All Souls Langham Place
• All Souls Langham Place Fellowship Group
• All Star Friends
• All the Kings Horses
• All Things Bethlehem
• All3Media
• All3Media International
• Alldith Films
• Allegra Films
• Allegra Productions
• Allegro Films
• Alliance
• Alliance Film Corporation
• Alliance Films
• Alliance Productions Ltd.
• Alliance/Twickenham
• Alliance-Capital Productions
• Allied Entertainments Group PLC
• Allied Film Makers (AFM)
• Allied Film Productions
• Allied Pinocchio Productions Ltd.
• Allied Stars Ltd.
• Allied Television Ltd.
• Allied Vision
• Allied Visual Arts
• Alligata
• Allotria Productions
• Alltime Entertainment
• Alltime Productions
• Alma Gate Ltd.
• Alma Road Films
• Alma UK Limited
• Almanack Film Productions
• Almega Projects
• Almost Famous Films
• Almost Midnight Productions
• Alomo Productions
• Alpha Distribution
• Alpha Film Corporation
• Alpha Films (II)
• Alpha Pictures
• Alpha Software Ltd.
• Alpha Trading Company
• Alphamale Media
• Alphapictures Limited
• Alpine Film Productions
• Alpine Films
• Alt Angle Films
• Alt Enter Productions
• Alta Vista Film Production
• Alten8
• Altered Image
• Alternative Rootz
• Alternative Videos
• Altitude Film Entertainment
• Altitude Films
• Alto Film Production
• Altruism Pictures
• Alucard
• Aluna the Movie
• Alva Films (Denham)
• Always Thinking Films
• Alzaire Productions
• Am Bocsa
• Amalgamated Films Associated
• Amalgamated Productions
• Amanda Mealing
• Amaranth Film Partners
• Amarillo Films
• Amaris Productions
• Amazing Industries
• Amazing People Pictures
• Amazon Films
• Amazonian Studios
• Ambassador Theatre Group
• Ambee Animation
• Amber
• Amber Entertainment / Drive Thru Pictures
• Amber Entertainment
• Amber Films
• Amber Pictures
• Amber Tint Films
• Amber TV
• Amber Valley Production
• Amberlodge
• Amberson Productions
• Amberstone Films
• Ambient Film
• Ambient Information Systems
• Ambiverse Films
• AMC Pictures
• Amedume Films
• AmeenDream Entertainment
• Ameran Films
• American Icon
• American International Productions
• American the Movie
• American Widow Limited Partnership 2
• AMF Media
• Amicus Productions
• Amigo Television
• Amirani Films
• Amirani Media
• Amity
• Amity Productions
• Amityville Asylum Films
• Ammonite
• Ammunition
• AMOC Productions
• Amoeba Film
• Amok Film
• Amor Films
• AMP Pictures
• AMR Entertainment
• Amulet Films
• Amuleto Productions
• Amy International Artists
• Amy Lisa Hill Productions
• An Altamar Entertainment
• An Education Distribution
• An Initial Production
• an.x
• Anagram Films
• Ananview
• Anarchy Films
• Anatole de Grunwald
• Anchor
• Anchor Bay Entertainment (UK)
• Anchor Films
• Ancient Mariner Productions
• Anco Software
• Ancona Films
• And But Films
• Andersen Press
• Anderson Burr Pictures
• Andes Pictures
• Andre Charlot Productions
• Andrew Douglas Company
• Andrew Holmes Productions
• Andrew Productions
• Andrews UK
• Andris Films Ltd.
• Andy Brice Productions
• Andy-Lewis
• Aneel Ahmad Films
• Angel Air Records
• Angel Eye Film & Television
• Angel Film & Television
• Angel Motion Pictures
• Angel Productions
• Angel TV
• Angela Mortimer
• Angeles Pictures
• Angelfish Productions
• Angelic Films
• Angle Eye
• Angle Films Limited
• Angle Pictures
• Anglia
• Anglia Films
• Anglia Ruskin University
• Anglia Television
• Anglia Television Entertainment
• Anglo Amalgamated Exchange
• Anglo American Pictures
• Anglo Klaxon Pictures
• Anglo-American Film Corporation
• Anglo-American Films
• Anglo-Caribbean Productions
• Anglo-Cosmopolitan Productions
• Anglo-EMI Productions Ltd.
• Anglo-Guild Productions
• Anglo-Scottish Productions
• Angry Badger Pictures
• Angry Donkey Productions
• Angry Man Pictures
• Angry Sloth
• Angst Productions Ltd.
• Anics Productions (UK) Ltd.
• Animal Aid
• Animal Defenders International
• Animal Monday
• Animal Planet / Discovery
• Animal Planet
• Animate Projects Limited
• Animate!
• Animated Motion Pictures
• Animation City
• Animation Masterclass
• Animatophone
• Animatrix
• Animus Films
• Animus Pictures
• Ankh Productions
• Ankst Musik
• Annalogue Productions
• Annex Films
• Annix Studios
• Anonima Filmmakers
• Anonymous Films Ltd.
• Anonymous Room Productions
• Another Film Company
• Another World Productions
• Ansus Films
• Antagonist Films
• Antares Media Group
• Antelope Films
• Antelope Productions
• Antena
• Anthem Films
• Anthony Barrier Productions
• Anthony Gilkison Associates
• Anthony Roland Films
• Anti / Type
• Anti/Type Films
• Antidote Produxions
• Anti-Hero Films
• AntiSocial-Films
• Antix Productions
• Anton Capital Entertainment (ACE)
• Anton Films
• Antonio da Silva Films
• Antonio Pilade
• Antony Balch Films
• Antony Barrier Productions
• Antshake
• Antton Harri Ltd.
• AntWorks Films
• Anvil Film and Recording Companies
• Anvil Films
• Anvil Post Production
• Anything Once Films
• Anywhere Films
• AOC Communication
• AOG Films
• AP Films (APF)
• APA Animation Production
• Apart Films
• APE Features
• Apex Film Company Limited
• Apex Films
• Apex Pictures
• Apex Studios
• aPint Film Production
• Apis Films
• Apocalypso Pictures
• Apollo
• Apollo Film Company
• Apollo Films
• Apollo Lake Pictures
• App Media
• Apparent Films
• Apparition Pictures
• Apple Park Films
• Appleby & Schlesinger
• Applepastie Productions
• Appleton
• Approaching Fish Productions
• Après Vague Productions
• April Productions
• Apropos Films
• Apropos International Productions
• APT Film and Television
• APT Films
• Aqua Pacific
• Aqua Vita Films
• Aquarius Film
• Aquarius Film Company
• Aquarius Film Productions
• Aquarius Films
• Aquila Film
• Araña Films
• Aramid Capital Partners
• Arawak Films
• Arbie
• Arbie Productions
• Arbor Films
• ARC Films
• Arcade Films
• Arcadia Moving Pictures
• Arcadia Redux Productions
• Arcadian Fields Pictures
• Arcady Media
• Arcane Pictures
• Arch Communications
• Arch Enterprises Limited
• Arch North Staffordshire
• Archangel Filmworks
• Archer & Sons
• Archer Street Productions
• Archer’s Mark
• Archetype Films
• Archface Films
• Archistudio Limited
• Architecture Foundation
• ArcHouse Productions
• Archway West Productions
• Arcimboldo
• Arctic Rabbit Pictures
• Arden Films
• Ardent Entertainment
• Ardley Bridger Productions
• Area 17 Ltd.
• Arena Pictures
• Arena Presentations
• Arena Productions
• ARG TV Ltd.
• Argent Television Production
• Argentum Films
• Argo Film Productions
• Argon Effects
• Argon Production
• Argonaut Films
• Argonaut Games
• Argonon
• Argosy
• Argosy Pictures
• Argy Films
• Argyle Talking Pictures
• Aria Films
• Aria Productions
• Ariadne
• Ariana Entertainment
• Arid Pictures
• Ariel Films
• Ariel Productions Ltd.
• Arion Communications Ltd.
• Arise Pictures
• Arkade Film Productions
• Arkady Pictures
• Arkangel Productions
• ArkMK
• Arlington Television & Radio Ltd.
• Arlo Productions
• Arm and Eye Films
• Armac Films Distribution Ltd.
• Armand Attard Films
• Armhouse Lee Ltd.
• Armoris Films
• Army Kinematograph Service
• Arno-Innocenti Pictures
• Arolla Partners
• Arpeggio Pictures
• Arrête ton Cinéma
• Arritmia Ltd.
• Arrow
• Arrow Films
• Arrow International Media
• Arrows Of Love
• Art Commissioners
• Art Films
• Art House Mediaworks
• Art in Action
• Art in Fusion TV
• Art of Mind Productions
• Art per Frame Productions
• Art War Entertainment
• Artangel Media
• Artanis Productions
• Artefacts Edutainment
• Artem
• Artemis Films
• Artgrove
• Artgym Productions
• Arthur Cheetham
• Arthur Howes
• Arthur Maude Productions
• ArthurCox
• Arti Is Useless
• Artic Computing
• Articulate Pictures Ltd.
• Artifex Mundi
• Artifice Entertainment
• Artifice Media
• Artificial Eye
• Artimana Media
• Artisani Productions
• Artist Preserve
• Artist Recording Company
• Artist Rights Group (A.R.G)
• Artistic Pictures
• Artistry Limited
• Artists in Motion
• Artists Independent Productions
• Artists Studio
• Artix Entertainment
• Artna Films Ltd.
• Arton Edwards & The Other One
• Arts About Wandsworth
• Arts and Humanities Research Council (AHRC)
• Arts and Humanities Research Council
• Arts Beyond Magic
• Arts Council of England
• Arts Council of Great Britain
• Arts Council Of Northern Ireland’s Lottery Fund
• Arts Council of Wales
• Arts Ed Films
• Arts Entertainment Network
• Arts University Bournemouth (AUB)
• Arts University Bournemouth
• Arts University College at Bournemouth
• Artscene Publication
• Artsouls
• ArtStreaming TV
• ARTtouchesART Films
• ARTTS Productions
• Arturi Films
• Arturo Films
• Arvato Services Ltd.
• AS Pictures
• AS&K
• ASA Productions (UK)
• ASAD
• Asalva
• ASAP Global
• Ascalon Films
• Ascendent Films
• Ascension Entertainment
• Ascension Films
• Ascension Productions
• Ascent Pictures
• Ascot House Film Productions
• ASD Lionheart
• ASF Productions
• Ash Bari Filmworks
• Ash Home Video
• Ashby Computers & Graphics (ACG)
• Ashenglow Entertainment
• Asher Brothers Productions
• Ashford Entertainment
• Ashton Productions
• Ashwood Educational Productions
• Ask Me Tomorrow Productions
• Asobo Games
• Aspect
• Aspect Film
• Aspect Film and Television
• Aspect Production
• Aspect Ratio Productions
• Aspect Television
• Assassin’s Fist Limited
• Assembly Film and Television
• Associated British
• Associated British Corporation
• Associated British Film Distributors (ABFD)
• Associated British Picture Corporation (ABPC)
• Associated British-Pathé
• Associated Dragon
• Associated Electrical Industries
• Associated Electrical Industries Film Unit
• Associated General Films
• Associated London Films
• Associated Pictures Productions
• Associated Press (AP) Television News
• Associated Sound Film Industries
• Associated Talking Pictures (ATP)
• Associated Television (ATV)
• Associated-Rediffusion Productions
• Associated-Rediffusion Television
• Association of Cinema Technicians (A.C.T.)
• Astbury Films
• Astley Baker Davies Ltd.
• Aston Productions
• Astra Film
• Astra-National
• Asylum Entertainment
• Asylum Features
• Asylum Films
• Asylum Giant
• Asylum Productions
• At It Productions
• Atalaia Films
• Atalanta Film
• Athena Education
• Athena Films (II)
• Athena Films
• Athos Film Productions
• Atkinson Films
• Atlantic
• Atlantic Celtic Films
• Atlantic Enterprises (Poole)
• Atlantic Film Company
• Atlantic Film Productions
• Atlantic Picture Company
• Atlantic Productions
• Atlantic Screen Music
• Atlantic Swiss Productions
• Atlantic Union
• Atlas Adventures
• Atlas Biocraft
• Atlas Film Company
• ATM Entertainment
• Atomhawk Design
• Atomic Arts
• Atomic Planet Entertainment Ltd.
• Atomicom
• AtomicTV
• Atori VanDerPuye Films
• Atrophy Productions
• Atsain
• Attaboy TV
• Attachè Productions
• Attack Productions
• Attention to Detail (ATD)
• Attercop Productions
• Attic Pictures
• Attica Films Ltd.
• Atticus Finch
• Attractive features
• Attractive Films
• ATV
• ATV Network
• ATVLAND.productions
• Atypical Media
• AUB
• Aubrey Baring Productions
• AUCB
• Audio Authority Management
• Audio Visual Head Space
• Audio-Visual Reinforcement (AVR)
• Audley Films
• August 8 Productions
• August Eleven Productions
• August Productions
• Augusta Film Productions
• Augustine Pictures
• Auld Reekie Media
• Auld Reekie Pictures
• Auriga Films
• Aurora British Natural Colour Films
• Aurora Pictures
• Auspicious Films
• Austen Productions
• Austin Brothers Films
• Austin Campbell Films
• Auteur Films
• Auteur TV
• Authentic Films
• Auto-9 Productions
• Autograph Films
• Automata Cartography Ltd.
• Autonomi
• Autonomous
• Autoscope
• Autumn Productions
• Auznet Pictures
• AV Pictures
• AV1 Production
• Available Light
• Available Light Productions
• Avalon Motion Pictures
• Avalon Productions Ltd.
• Avalon Television
• Avant Garde Films
• Avant-garde Pictures
• Avanti
• AVAnti Productions
• Avanti Television
• Avatar Productions
• Avelasvir Films
• Avenge Productions MK
• Average Sally Productions
• Averner Films
• Aviary Film Partnership
• Avie Luthra Films Ltd.
• Avisuali Productions
• Avon Films
• avp Films
• AVP Productions
• Avton Films
• Awaiting Pictures
• Awake At Night Pictures
• Away Days Films
• Away Team Productions
• Awen Productions CIC
• Awesome Play
• Awesometrain
• AWOL Films Ltd.
• Axe Rated Films
• Axiom Films
• Axis Animation
• AXL Production
• Ayakaya Productions
• Ayala Sharot
• AY-B Productions
• Ayngaran International
• Ayresome Primary School
• A-Z Films
• Azad Productions
• Azimuth Pictures
• Azko Films
• B & A Productions
• B & H Productions
• B & Z
• B Films
• B Good Picture Company
• B T K Pictures
• B&W Films
• B. Doyle
• B.A.F.S. Productions
• B.O.A.C.
• B12 Films
• B19 Media
• B22
• B23
• B3 Media
• B3Media
• B4Films
• B-612 Films
• B7 Productions
• Babelgum
• Babestation
• Babeworld Television
• Baby Cow Animation Ltd.
• Baby Cow Films
• Baby Cow Productions
• Baby Elephant Productions
• Baby Films
• Babyface Media
• Babylon Films Limited
• Bachaks Productions
• Bachlor Film Productions
• Baci Films
• Back Door Productions
• Back to Back Productions
• Back To The Wood Films
• Back2Back Productions
• Back2Hell
• Backbone Entertainment
• BackEnd Productions
• Backlight Films
• Backlot Films
• Backwater
• Backyard Productions
• BACO
• Bad Blood Films Limited
• Bad Crow
• Bad Horsey
• Bad Moose Films
• Bad Panda Films
• Bad Pony Media / Bad Pony Television
• Bad Wolf Films
• Bad Zip Productions
• Badbiscuit
• Badger Skull Productions
• Bafta
• BAFTA Productions
• Baiboon Film Entertainment
• Bailey Tom Bailey Films
• Baird Television Development Co.
• Baird TV
• Bait Films Ltd.
• Baker Coogan Productions
• Baker Street
• Baker Street Media Finance Take Five
• Balagan Productions
• Balancefilm
• Balblair Productions
• Balfour Films
• Ballastic Productions
• Balle Pictures
• Balletboyz Productions
• Balley Beg Studios
• Ballista Media
• Balloon Entertainment
• Ballpark Productions Partnership
• Balzer International Films (BIF) Ltd.
• Bamboo Films
• Bamboo Productions
• Bamboo Records Limited
• Bamforth Films
• BAMMA
• Banal Productions
• Banana Link
• Banana Skin Productions
• Banana Split Productions
• Banana Time Productions
• Bancroft Films
• Bandigital
• Bandini Pictures
• Bandito
• Bandung Productions
• Bangla Dreams Productions
• Bankside Films
• Bannak Entertainment
• Banner Films Ltd.
• Bantam Films
• Banter Media
• Banyak Films
• Barbican Centre Christian Union
• Barclays
• Barcrest
• Barcud Derwen
• Bard Entertainments
• Bardic Design
• Bare Films
• Bareboards Productions
• barebone films
• Barefoot Films
• Barge Pole Productions
• Bargus
• Barker
• Barker Motion Photography
• Barking Angel
• Barking Mad Films
• Barking MAD Productions
• Barkingmad TV
• Barn Picutres Ltd.
• Barnaby Pictures
• Barnes Hassid Productions
• Barnet Brookside
• Barney Entertainments Ltd.
• Barnfather Films
• Barnstorm Games
• Baron
• Barongreen
• Barons Lands Film Productions Ltd.
• Barraclough Carey Productions
• Barrass Company
• Barrelet
• Barreto.co Films
• Barrie Hinchliffe Productions (BHP)
• Barrie Joll Associates
• Barrier Films
• Barron Management
• Barrowman Barker Productions
• Barry Salt and Company
• BartleArts
• Bartlett School of Architecture
• Bartley Productions
• Barudi Media
• BashBurn Films
• Bashford Twins Company
• Bashford Twins Films
• Basic Films
• Basic Films Ltd.
• Basilisk
• Bastion Pictures
• Bate Pictures
• Bathsheba Film
• Bathtub Productions
• Batt Enterprises
• Battered Hat Productions
• Battersea Arts Centre
• Battersea Writers Group
• Batty Berry Mackinnon Productions
• BATV Group D1
• Baudelaire Productions
• Bauer
• Baxter and Barter Productions
• Baxter Productions Ltd.
• Baychanik Entertainment
• Bayswater Communications
• Bazal
• BazzJazz Films
• BB Entertainment
• BBC & Open University
• BBC / TLC / NDR
• BBC
• BBC Academy
• BBC Archives
• BBC Arena
• BBC Arts
• BBC Arts Production
• BBC Birmingham
• BBC Birmingham Lifestyle and Features
• BBC Bristol
• BBC Bristol Factual
• BBC Bristol Film Lab
• BBC Bristol Productions
• BBC Children’s
• BBC Children’s Drama
• BBC Children’s International
• BBC Choice
• BBC Comedy
• BBC Comedy Online
• BBC Comedy-North
• BBC Community Programme Unit
• BBC Current Affairs
• BBC Cymru Wales
• BBC Drama Group
• BBC Drama Productions
• BBC Earth
• BBC East Midlands
• BBC Education
• BBC English Regions
• BBC Enterprises
• BBC Entertainment
• BBC FictionLab
• BBC Film Lab
• BBC Film Network
• BBC Films
• BBC Four
• BBC History Production
• BBC Horizon
• BBC Lionheart Television
• BBC Manchester
• BBC Motion Gallery
• BBC Multimedia
• BBC Music Entertainment
• BBC Natural History
• BBC Natural History Unit (NHU)
• BBC Newcastle
• BBC News 24
• BBC North
• BBC North West
• BBC Northern Film Unit
• BBC Northern Ireland
• BBC One
• BBC Open University Production Centre
• BBC Opus Arte
• BBC Parliament
• BBC Pebble Mill
• BBC Productions
• BBC Productions North West
• BBC Productions West Midlands
• BBC Religion & Ethics Production Salford
• BBC Resources
• BBC Schools
• BBC Scotland
• BBC Screenplay
• BBC South
• BBC South East
• BBC South-West
• BBC Sport
• BBC Storyville
• BBC Studios & Post Production
• BBC Switch
• BBC Television
• BBC Three
• BBC tv
• BBC Two
• BBC Video
• BBC Vision Productions
• BBC Wales
• BBC Wales Drama
• BBC Wales Graphics
• BBC Wildvision
• BBC World
• BBC Worldwide
• BBC Worldwide Digital Entertainment
• BBC Worldwide Productions
• BBC Writersroom
• BBC2
• BBC3
• BBCi
• BBC-Plymouth / Double Jay Productions
• BBC-TV Productions
• BBD Productions
• BBF
• BBG Multimedia
• BBS Films
• BBS Production
• BC Movingimage
• BDH Films
• Be The Crew Productions
• Beacon
• Beaconsfield Productions
• Beaconsfield Studios
• Beagle Pug Films
• Beambright
• Beambright Productions
• Beaming 13 Films
• Beaninabox Productions
• Beansprout Films
• Beaquarr Productions
• Bear and Cub Productions
• Bear Films
• Bear Island Films (U.K.) Limited
• Bearkatt Productions
• Beastly Films
• Beat
• Beat Pictures
• Beat24 Productions
• Beat’em Up Films
• Beaucoup Films
• Beaumont Film Productions
• Beautiful Train
• Beaver Films
• Beazknees Films
• Becker Films
• Beckman Unicorn
• Bedford Film Making Cooperative
• Bedford Productions Ltd.
• Bedlam Productions
• BedrockFilms
• Bedroom Genius Productions
• Bedside Manner Ltd.
• Bee Movies
• Beecord Production Ltd.
• Beehive
• Bees Nees Media
• Befour Film
• Beg Borrow Steal Productions
• Beg Steal Borrow Films
• Beguiled Eye Productions
• Bejam
• Beleza Productions
• Belfast 14 Productions
• Belfast Bohemian Productions
• Belfast City Council
• Belief Films
• Bell Film
• BellaVision
• Bellerophon Films
• Bell-Fruit Games
• Belloq Productions
• Bellwether Media
• Belly Dance School
• Belly Productions
• Bellyache Productions
• Belmont Productions
• Belstaff
• Beluga Films
• Ben Arbeid Productions
• Ben Charles Edwards
• Ben Dover Productions
• Ben Lewis
• BEN Television
• Ben Wright Film Productions
• Benalex Media
• Bencha
• Benchmark Films
• Benchmark Productions
• Bend It Films
• Bendar
• Bender & Co.
• Benmar Productions
• Benn Productions
• Benstead and Sharp Productions
• Bent Films
• Bentley Films
• Bentley Productions
• Beowulf Productions Limited
• Berern Arts
• Bergmann Pictures
• Berkeley Films
• Berkeley Square Films
• Berkshire Independent Films
• Bermondsey Borough Council
• Bermuda Shorts Ltd.
• Bernard Mainwaring Productions
• Bernard Smith Productions
• Berriff McGinty Films
• Berry Productions
• Bert Productions
• Bertie Gilbert Pictures
• Bertram Ostrer Productions
• Bertram Phillips Productions
• Berwick Street Productions
• Berwick Universal Pictures
• Beryl Productions International
• Besom Productions
• Bespoke Films
• Bespoke Productions Ltd.
• Best of British Films and Television Production
• Best Wishes Productions
• Best Years
• Bestalk Films
• Bettis Productions Limited
• Betty E. Box-Ralph Thomas Productionfs
• Betty Enterprises
• Betty TV
• Between The Eyes
• Bevanfield Films
• Bewildering Pictures
• Bewlay Bros.
• Beyond Films
• Beyond Illusion Pictures
• Beyond Mirrors
• Beyond Software
• Beyond Studios
• Beyond The Bar
• Beyond the Campus: Higher Education and the Creative Economy
• Beyond the Frame
• Beyond the Hedge
• Beyond the Line
• Beyond Therapy Entertainment
• BFI
• BFI Compilation Unit
• BFI Film Fund
• BFI Films
• BFI Production
• BFI TV
• BH24 Productions
• BHM Films
• Bick Films
• BIF Productions
• Biffa Productions
• Biffon Film Productions
• Big Ape Media
• Big Ape Media International
• Big Arty Productions
• Big Baby Productions
• Big Balls Films
• Big Bang
• Big Bear Films
• Big Ben Films-Union
• Big Blue Box Studios
• Big Book Media
• Big Boy Films
• Big Boy Productions
• Big Bright Lights
• Big Broad Productions
• Big Brush Films
• Big Buddha Films
• Big Cat Productions
• Big Cheese Films
• Big Dipper Film Company
• Big Dream Productions
• Big Dreams Productions
• Big Duke Productions
• Big Ears Entertainment
• Big Earth
• Big Egg Films
• Big Eye Film & Television Ltd.
• Big Eye Productions
• Big Face Productions
• Big Feast Productions
• Big Features
• Big Finish Productions
• Big Fish Films
• Big Five Films
• Big G Media
• Big H Films
• Big H Productions
• Big Hand Productions
• Big Head Games
• Big House Productions
• Big Hug
• Big Life Pictures
• Big Man Films
• Big Mistake Films
• Big Picture Productions
• Big Pictures
• Big Pig
• Big Red Button
• Big Rich Films
• Big Rock Productions
• Big Science Limited
• Big Screen Productions
• Big Shadow Productions
• Big Sister Films
• Big Sky Productions
• Big Star in a Wee Picture
• Big Table Film Company
• Big Talk Productions
• Big Tank Productions
• Big Time Pictures
• Big Tree Productions
• Big Upstairs Films
• Big View Productions
• Big Vision
• Big Wave Productions Ltd.
• Big Willy Productions
• Big Yellow Feet
• BigAirMedia
• Bigandclever Productions
• BigBig Studios
• BigDream Productions
• Bigfoot Project
• Bigga than Ben
• Bigger Picture Productions
• Bigger Picture Projects Limited
• Bigger Pictures
• Bigphat Films
• Bigscope Films
• Bigtime Entertainments
• Bigtime Films
• Bigview Media
• Bikeshed Digital Media
• Bikini Films
• Bikini Wax
• Bilford Films
• Bill & Ben Video (BBV)
• Bill and Ben Productions
• Bill and Michael Luckwell Ltd.
• Bill Baggs Video (BBV)
• Bill Kenwright Films
• Bill Luckwell Productions
• Billi Productions
• Billion Bites
• Binary Fable
• Binatone
• Bingo Productions
• Biographic Cartoon Films
• BioMax Films
• Bioscope
• Bird Feeder Films
• Bird Productions
• Birdland Film & Television
• BirdLime Productions
• Birmingham Film and Video Workshop
• Birmingham Film Factory
• Birmingham Film Producing Company
• Birmingham Film Studios
• Birmingham Salute Media Productions
• Birthday Boy Films
• Birthmark Productions
• Biscuit Pictures
• Biscuit Town Productions
• Bishop Films
• Bishu Sen Productions
• Bisley Boy (UK) Ltd.
• Bisson Grass Films
• Bitch Rabbit
• Bite Yer Legs
• Bits Studios Ltd.
• Bitter & Twisted
• Bitter Lemon Productions
• BitterBlue Productions
• Bittersweet Pictures
• Bizarre Creations
• Bizmane Entertainment
• Bjorn B. Cinematic
• BKN New Media
• BL Media
• Black & Blue Films
• Black & White Films
• Black & White Pictures
• Black and Blonde Productions
• Black and Gold Film
• Black Ant Films
• Black Arts Video Project
• Black Audio Film Collective
• Black Audio Films
• Black Barn Productions
• Black Bison
• Black Box Digital Media
• Black Box Film
• Black Box Film Productions
• Black Cactus
• Black Camel Pictures
• Black Cat Pictures
• Black Cat Productions Ltd.
• Black Cloud Productions
• Black Crossing Films
• Black Diamond Television
• Black Dog
• Black Dog Films
• Black Dog Productions
• Black Eagle Films
• Black Hangar Studios
• Black Heart Love
• Black Jack Films
• Black Kat Productions
• Black Label Productions
• Black Lake Films
• Black Lake LFP
• Black Lantern Films
• Black Light Enterprises
• Black Lion Films
• Black Mill Productions
• Black Mist Films
• Black Mole Productions Ltd. (I)
• Black Mountain Films
• Black North
• Black Orchid Productions
• Black Robe
• Black Rock Films
• Black Star Films
• Black Sun Productions
• Black Tiger Media Group
• Black Toffee / SnapperPunchFish
• Black Tower Films
• Black X Entertainment
• Blackberry Films
• BlackBull Films
• Blackbull Productions
• Blackdog Productions
• Blackfield
• BlackHare Productions
• Blackhorse Entertainment
• Blackhorse Media
• Blackjack Productions
• Blackmount Pictures
• BlackNine Films
• Blackpool Town Hall
• Blackrod
• Blacksheep Films and FX
• Blacksmith Pictures
• Blackstone Valentine Films
• Blackwatch Productions
• Blackwater Film Productions Ltd.
• Blackwater Films
• Blade Interactive
• Blaise Media
• Blake / Turner Films
• Blakeley’s Films (M/C) Ltd.
• Blakeway Associates
• Blakeway North
• Blakeway Productions
• Blank Canvas Productions
• Blank Screen Films
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• Blaze Films
• Blaze Productions
• Blaze Television
• Blazebuster Productions
• Blazer Films
• BLC Films
• BLDSA Films
• Bleak Films
• Bleeding Edge Films
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• Blessed Film Company
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• Blimp Productions
• Blind
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• Blind Aura Pictures
• Blind Ditch
• Blind Pictures
• Blind Productions
• Blind Stag
• Blindeye Films
• Blindside Productions
• B-Line Productions Limited
• Blink
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• Blink Films
• Blink Productions
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• Blinkink
• Bliss Films
• Blistering Pictures
• Blitz Games
• Bloc Media
• Block & Revell
• Block Films
• Blockhouse TV
• Blonde to Black Pictures
• Blooblah
• Blood & Chocolate Productions Ltd.
• Bloodline Pictures Limited
• Bloodrunners
• Bloodstar Productions
• Bloody Cuts
• Bloody Mary Show Productions
• Bloody Popcorn Films
• Bloody Thumb Productions
• Bloom Street Productions
• Bloomcrest Productions
• Blooming Productions
• Blowfish Entertainment
• Blown Film
• Blowup Pictures
• Blue August Creations
• Blue Blood Films
• Blue Cedar Films
• Blue Dolphin Film Distribution
• Blue Door Adventures Ltd.
• Blue Elephant Films
• Blue Eye Films
• Blue Eyed Productions
• Blue Grotto Pictures
• Blue Heaven Productions
• Blue Hippo Media
• Blue Horizon Productions
• Blue Injection
• Blue Iris Films
• Blue Lemon Films
• Blue Light
• Blue Luna Productions
• Blue Mannequin
• Blue Monkey Films
• Blue Ocean Pictures
• Blue Orange Productions
• Blue Owl Pictures
• Blue Pacific
• Blue Pencil Set
• Blue Pip Productions
• Blue Planet
• Blue Planet Productions
• Blue Print Films
• Blue Ridge Film Group
• Blue Ridge Films
• Blue Robot Films
• Blue Secrets Production
• Blue Shadows Films
• Blue Sky Arts & Media Production
• Blue Sky Motion Pictures Ltd.
• Blue Smoke
• Blue Soul Films
• Blue Star Movies
• Blue Underground
• Blue Whale Productions
• Blue Wren Films
• Bluebeard Pictures
• Blueberry Child Films
• Bluebird
• Bluebird Films
• Bluebook Films
• BlueDisc Media
• BlueFlair
• Blueprint Pictures
• blueprint.tv
• Blueprint: Film
• Bluesun Films
• Bluewater Films
• Blue-Zoo Productions
• Bluffing Productions
• Blunt Films
• Blunt Pictures
• Blunt Productions
• BMG Video International
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• BMI (No. 9) Ltd.
• BMP DDB
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• BO&BO
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• Bob & Co
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• Bob Twigg Productions
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• Boca Productions
• Boda
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• Bodhisattva Productions
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• Bognor Film Productions
• Bohemian Pictures
• Boiled Egg Pictures
• Boiling Frog Films
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• Boker Media Agency
• Bold Turtle Productions
• Bold Yin
• bolexbrothers limited
• Boleyn Films
• Bolingbroke Productions
• Bolt-On Media
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• Bomb-Chelle Production
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• Bomdigi Productions
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• Boundless Productions
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• Bradgate Films
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• BWNG UK
• Bwrdd Ffilmiau Cymraeg
• By The Numb3rs Productions
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• ByStorm Pictures
• B’zza Pictures
• C J Spencer Associates
• C Y Productions
• C&B Films
• C. à Becket Williams Productions
• C. Goodman
• C. Goodwin Norton
• C. McMullan Films
• C.3.3. Films
• C.D.I. Films
• C.L.G. Films
• C.L.W.
• C.S. Lewis Company
• C0M1CPL0X
• Cabal
• Cabal Studios
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• Cable Films
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• Cacti Films
• Cactus
• Cactus Films
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• Cadells
• Cadies Productions Ltd.
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• Cadogan Films
• Cadre Films
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• Caesar Productions
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• Cafe Productions Ltd.
• CAFLT Productions
• Caimun Pictures
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• D&H Productions
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• Dangerous Productions
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• DanJam Productions
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• Danny O’Donovan Productions
• Danny Rose Productions
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• Danziger Productions Ltd.
• Dapper Films
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• Darc Productions
• Darcy Conyers Productions
• Dare Films
• Dare Productions
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• Daredevil Productions
• Darenote
• Daring Films
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• Dark Alliance Productions
• Dark Angel Pictures
• Dark Art Films
• Dark Black Films
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• Dark Edge Films
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• Dark Form Productions
• Dark Hour Pictures
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• Dark Matter Studios
• Dark Moon Filmworks
• Dark Pictures
• Dark Rose Films
• Dark Skies Productions
• Dark Star Productions
• Dark Water Studios
• Dark Window Media
• Darkbeam
• Darkened Room Films
• Darkeye Films
• Darkfibre Entertainment Ltd.
• DarkGate Productions
• Darklight Productions
• Darkling Productions
• Darkling Room
• Darkside Pictures
• Darkstone Media
• Darkwood Productions
• DarkWorld UK
• Darlington Road Productions
• Darlow Smithson Productions
• Darrall Macqueen
• DarrallMacQueen
• Darren A. Furniss Productions
• Dartmoor Killing
• Dartmouth Films
• Daryl Prince Productions
• Dash Productions
• Data Design Interactive
• Data Film Productions
• Data Film Unit
• Data Films
• Dateline Film Productions
• Dave
• Dave Clark International Productions
• Dave Edwards Studio
• Dave Elton Video Productions
• Dave Mitchell Films
• Dave Vitty Management Productions
• D’Avekki
• D’Avekki Studios Limited
• Davey / Price Production
• Davey Inc Productions (I)
• David & Kathy Rose
• David A. Palmer Productions
• David Bromley Television
• David Cobham Productions
• David Films Co.
• David Furnham Productions
• David Martin Films
• David Mills Productions
• David Modell Productions
• David Monaghan Productions
• David Newman Productions
• David Paradine Productions
• David Speechley Productions
• David Wickes TV
• David Yates Ltd.
• DaVinChe
• Davis Productions
• Dawdle Productions
• Dawgs Lost Entertainment
• Dawn-Dusk Films
• Day 4 Night Productions
• Day For Night Films
• Day For Night Lab
• Day Gardner Productions Ltd.
• Day Oot Theatre Company
• Day Zero Productions
• Daybreak Pictures
• Daylight
• Daylight Film
• Daylight Films
• Daylight Productions
• Dazed & Confused
• Dazed Film & TV
• DBA Television
• DBC Productions
• DBCproductions
• dc3 : artfilms
• dc3:artfilms
• DD Films
• DD Home Entertainment
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• DDH Pictures
• DDM Productions
• De Cauze Films
• De Facto Film and Video
• De Forest Phonofilm
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• De La Beche Productions
• De Lane Lea
• De Lane Lea Sound Centre
• De Naray Sothcott Entertainment
• De Novo Pictures
• De Warrenne Pictures
• Deace Games
• Dead Bird
• Dead Daffodil Productions
• Dead Dog Films
• Dead Flower Films
• Dead Flower Productions
• Dead Gennie Productions
• Dead Good Films
• Dead Good Films Like Productions
• Dead House productions
• Dead Man Productions
• Dead Man’s Shoes Limited
• Dead On Arrival Digital
• Dead on Impact Productions
• Dead Or Alive Films
• Dead Shed Productions
• Dead Square
• Deadbolt films
• Deadmeat Productions
• Deadpan Productions
• Deadpan Valentine
• DeadStarFilm
• Deafo
• Dearfilm
• Death By Awesome Productions
• Death Ltd.
• Debasers Filums
• Debonair Films International
• Dec and Ant Productions
• DEC3 Films
• Decagon Films
• DeCantillon Films
• Decca
• Decibel Films
• Decisive Media
• Deckchair Productions
• Decoder Films
• Decreated Film
• Deeda Productions
• Deep End Media
• Deep Indigo Productions
• Deep Red Games
• Deep See Productions
• Deep Springs Pictures
• Deep Water Films
• Deepend Productions
• Deeply Vale Films
• Deerstalker Films
• Defcon Films
• Defender Film Fund II
• Defender Production
• Defiant Films
• Definition Films
• Definition of Fear
• Defusion Films
• Deigton/Duffy Production
• Dejamus
• Delacheroy Films
• Deleted Scenes
• Delfin Studio
• Delicious the Film
• Delight Films
• Delirious Blacksmith Management Ltd.
• Dellago Productions
• Delmore Film Production
• Delroy
• Delry
• Delta 4 Software
• Delta Film Company
• Delta Music
• Delta Pictures
• Delve Deeply Productions
• Demerara Bauxite Co
• Demon Entertainment
• Demon Films
• Demon House Pictures
• Demus Productions
• Dendelion Blu
• Dene Films
• Denham Films
• Denham Productions
• Denise Danger Productions
• Denning Films Ltd.
• Dennis Woolf Productions
• Department of Health for Scotland
• Depiction Films
• Deptford Beach Productions
• Derby Quad
• Derby Street Films
• Derby Street Investments Ltd.
• Derek Abel Productions
• Derek Productions
• Derek Stewart Productions
• Dereks Dont Run Films
• Derick Williams Productions
• Derrick Knight and Partners
• Desert King Films
• Desert Sand Films
• Desi Punga
• Design and Production Company
• Design Confederacy
• Desperate Measures
• Desperate Optimists
• Destiny Films
• Destiny Pictures
• Deuce Illusion
• Deva Films
• Devil Shaped Saint
• Devilishly Handsome Productions
• Devils Avalanche Films
• Devil’s Details
• Devils Wax Productions
• Devlin Films
• DevonFire Films
• Devonshire Productions
• Devotion Films
• Dexter Film London
• Deya Productions
• Deyoung Entertainment
• DFG Films
• DFI Films
• DFTBAPD
• Di Bonito Films
• Diablo Films
• Diadem Films
• Diador
• Dial-Media
• Diamond Bullet Productions
• Diamond Films (I)
• Diamond Flicks
• Diamond Super Ltd.
• Diary of Mu
• Dibb Directions
• Dice Productions
• Dicewin
• Dichotomy Films
• Dick Francis Productions
• Diddy Films
• Diddywidge Media
• Diesel Films
• Different Kind of Television
• Different Productions
• Digby Rumsey Associates
• DigiCult
• Digifish Media Productions
• Digital Buggle
• Digital Classics
• Digital Classics Distribution
• Digital Clockwork
• Digital Copycat
• Digital Creators
• Digital Distortion
• Digital Film Lab
• Digital Filmworks
• Digital Fluid
• Digital Ghost
• Digital Guerillas
• Digital Guerrilla Filmmakers
• Digital Hardcore Recordings
• Digital Horde
• Digital Image Design
• Digital Integration
• Digital Magic
• Digital Media Choices
• Digital Media Services (DMS)
• Digital Mist Productions
• Digital Nasties
• Digital Rain Productions
• DiGitiLhEaRt
• Digitilheart Films
• Digitilheart Productions
• Dilated Films
• Dimitri De Grunwald Production
• Din Din. TV
• Dinamo
• Dinedor Films
• Dinemar Films
• Dinnick & Howells
• Diploma Pictures
• Dippit and Leggit Production
• Diran Productions
• Direct Digital Pictures
• Direct Film Traders
• Directional Studios
• Directions Video
• Director’s Cut
• Directors Cut Productions
• Director’s Guild of Great Britain
• Dirty Deeds Ltd.
• Dirty Duck Productions
• Dirty Industries
• Dirty Negative Films
• Dirty2Films
• Dirtymoney productions
• Disappointed Virginity
• Disco Mbobu Makes Films
• Disco Stoat
• Discovery Channel
• Discovery Channel UK
• Discovery Communications Europe
• Discovery Films UK
• Discovery Health
• Discovery Networks Europe
• Dishak Films
• dishaK films Ltd.
• Disjointed Pictures
• Disney Channel
• DiSparrow Films
• Disruptive Element Films Ltd.
• Distant Eye Films
• Distant Horizon
• Distant Horizons
• Distant Object Productions
• Distant Planet Productions
• Distilled Films
• Distinct Films
• Distorted Pictures
• Distortion Entertainment
• Ditto Productions
• Dive in the Dark productions
• Diverse
• Diverse Bristol TV
• Diverse North
• Diverse Productions
• Diverse World
• Diversity Street Entertainment
• Divide by Zero
• Divine Lady Productions
• divine magic
• Divine Media
• Divine Virus Productions
• Division 19
• Dixie Pictures
• Dixon’s Films
• DJ Films
• Dja River Films
• DLEfilms
• DLF Productions
• DLT Entertainment
• DM Digital TV
• DM Productions
• DMC Film
• DMK Productions
• DMS Films Limited
• DNA Dynamics
• DNA Films
• DNA Performance Resource
• DNA Productions
• DNL Productions
• Do It Live Productions
• Dobbins Derby
• Docfactory
• Document Film Services
• Document Films
• Document Productions Ltd.
• Documentary Filmmakers Group
• Dodger
• Dog Animal Films
• Dog Bite Film Crew
• Dog Button
• Dog Eared Films
• Dog Face Films
• Dog Lamp Films
• Dogged Films
• Doghouse Media
• Dogpic
• Dogs Productions
• Dogsdinner Productions
• DogSky Films
• Dogtooth Films
• Dogtooth Media
• Dolbeck Systems
• Doll Parts Productions
• Doll Theatre
• Dollar Factory Films
• Dollhouse
• Dolly Pictures
• Dolphin Boy Films
• Dom Lenoir Films
• Domaine Productions
• Domark
• Dombey Street Productions
• Domini Productions
• Domino Films
• Domino Recording Co. Ltd.
• Don Haworth Productions
• Done and Dusted
• Donegal Productions
• Donmar Productions
• Donside Pictures
• Don’t Hang Up Films
• Don’t Panic London
• Donus Films
• Donwin Films
• Doodle Productions
• Doom Productions
• Door 44 Films
• Dorian
• Doris Chase Productions
• Doris Productions
• Dormar Productions Limited
• DoRo
• Dot Man Films
• DotHyphen Productions
• dotMOV
• Double Act Films
• Double Act Productions
• Double Agent
• Double Barrel Productions
• Double Bounce Films
• Double D Productions
• Double ‘D’ Productions
• Double Down Flicks
• Double E Productions
• Double Eleven
• Double Exposure
• Double Gusset Productions
• Double Jab Productions
• Double Jack Films
• Double Jay Entertainments
• Double M Films
• Double O Films
• Double T Productions
• Double Vision Interactive
• Double-Band Films
• Doubleshot
• Dough Film
• Doughnut Films
• Douglas Chirnside Productions
• Douglas Fairbanks Productions
• Do-U-Know Film Productions
• Doverton Films
• Dovetail Music
• Down the Drain Productions
• Down the Line Productions
• DOX Productions
• Doyce Street Mining Company
• DP Films
• DPB Entertainment
• Dr Magicks Travelling Picture Show
• Dr Sarcastic Pictures
• DR Studios
• Draco Film Production
• Dragon Egg Media
• Dragon Films
• Dragon Productions
• Dragonfly Film and Television Productions
• Dragonfly Film Productions
• Dragonfly Films
• DragonPunch Productions
• Dragon’s Garden Filmed Entertainment
• Dragons Lair Films
• Dragons Productions
• Drake Music Project
• Drama Centre
• Drama Centre London
• Drama Republic
• Dramanet Productions
• Dramatis Personae Ltd.
• Drayton Film Productions
• DRB Entertainment
• Dreadlocks
• Dreadnought Films
• Dream a Little Dream Productions
• Dream Factory
• Dream Films
• Dream Fish Productions
• Dream On Films
• Dream Process films
• Dreamachine
• Dreambase Studios
• Dreambig Entertainment
• Dreamboy
• Dreamcastle Films
• Dreamfield Entertainment
• Dreamfinder Productions
• Dreaming Fish Productions
• Dreamkraftz
• Dreamlight Studios
• Dreams Beyond Pictures
• Dreams Production
• Dreams Productions
• Dreamscape
• Dreamscape Co.
• Dreamscape Pictures
• Dreamstuff
• Drennan Productions
• Dresden Films
• Dresden Pictures
• Dressing Room 6 Productions
• Dreyco Productions
• Driftwood Pictures
• Drip Media
• Drive By Shooting Films
• Drive Thru Pictures
• Drive-Thru Productions
• Dropping Frames
• Drumbeat
• Dry Line Productions
• Dryad Productions
• Dryblue films
• Dryer & Weenolsen Productions
• DSBC Production
• DSFilms
• DSLR Film
• DSTM
• DTA productions
• Du Maurier-Guinness
• Dual Purpose Productions
• Dual Reality
• Dualistic
• Dubious Films
• Duchy Parade Films
• Duck City Entertainment
• Duck Duck Moose & Sons
• Ducklips
• Dudley Birch Productions
• Dudley Dangerous Productions
• Due Tuesday Pictures
• Duelling Productions
• Dufay Chromex
• Duffel Films
• Duke Marketing
• Duke Street Baptist Church
• Duke Video
• Dull Boy Pictures
• Duncan Catterall Productions
• Dundee Repertory Theatre
• Durell
• Durell Software
• Dust
• Dust Baby Films
• Dust Films
• Dusthouse Productions
• Dutiful Films
• DV8 Physical Theatre
• DVD Promotions
• DVD UK
• dW Films
• Dyke TV
• Dynamic FX Limited
• Dynamiq Films
• Dynamo Films
• Dynamo Production
• DystopiaScope Films
• E.J. Fancey
• E.J. Fancey Productions
• E.P.A. International Distributors
• E.R. Films
• E=mcÂ_ Productions Limited
• E2 Films
• E4
• E43 Films
• E6 Films
• EA Bright Light
• EA Bright Light Productions
• Eady-Barnes Productions
• Eagle & Eagle
• Eagle Eyes Pictures
• Eagle Films (II)
• Eagle Films
• Eagle House Pictures
• Eagle Media Productions
• Eagle Rock Entertainment
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• Eagles Dare Productions
• EagleVision
• Ealing Animation
• Ealing Film and Television
• Ealing Metro International
• Ealing Productions
• Ealing Studios
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• East 17 Films
• East Ayrshire Council
• East End Film Society
• East End Films
• East Ender Films
• East Finchley Methodist Church
• East London Film Fund
• East Midlands Media Initiative
• East of Harlem (UK) Ltd.
• East Wind Films
• Easter People
• Eastern Arts Board
• Eastern Film
• Eastern Heroes Video
• Easy on the Eye Productions (I)
• Easy Tiger Films
• Easy Tiger Productions
• Eat Cake Media
• Eavesdrop Films
• EbeFilms Ltd.
• Eben Bolter Films
• Eboracum Pictures
• EC Ergin Cavusoglu
• Ecaveo Capital Partners
• ECCE Productions
• Eccentric Productions
• Ecco Pictures
• Echo Art Films
• Echo-12 Productions
• Echodocs
• EcksMark Media
• Eclair British
• Eclectic Opera
• Eclipse Films
• ECM Productions
• Eco Boudoir
• Ecofilm
• Econ Films
• Ecosse Films
• Ectomorphic Films
• Ed Hartwell
• EDC Productions
• Eden Films (II)
• Eden Films
• Eden Production
• Eden Productions
• Edenvale Pictures
• Edgar G. Whiting
• Edge City Films
• Edge Haine Productions
• Edge Hill University
• Edge Media Television
• Edgehill Publishing
• Edgehill Publishing Ltd.
• EdgeImageBank Pictures
• Edgewax Films
• Edible Films
• Edinburgh College of Art
• Edinburgh Film and Video
• Edinburgh Film Production
• Edinburgh Media Base
• Edinburgh Movie Production Society
• Edinburgh Napier University
• Edinburgh Skillset Screen and Media Academy
• Edisonia
• Edit2.tv
• Edkasi51
• Educational Film Centre
• Educational Films of Scotland
• Educational Foundation for Visual Aids
• Eduvision Films
• Edward Dryhurst Productions
• Edward G. Whiting Productions
• Eelyn Lee Productions
• Eerie Investigations
• EFF2 Productions
• Effingee Productions
• EGEmedia
• Eggbox Brontosaurus Productions
• Eggg tv uk
• Ego Mongoose Productions
• EgoProject Films
• Egotrip Media Ltd.
• Egotrip Productions
• Egret Productions
• Eidolon Films
• Eidon Pictures
• Eidos Interactive
• EigenArt Films
• Eigerwand Pictures
• Eight Rooks Productions
• Eight Trick Pony
• EightBunch
• Eighth Region Productions
• Eighth Wonder Pictures
• Eighty Eighty Ten Productions
• Eighty Five Films
• Eighty Six 400 Productions
• Eilean Flodda Productions
• EK productions
• Eklectika Moving Pictures
• Ekstasy
• El Capitan
• EL Nevado Films
• Ela Films
• Elan Standard Production
• Elder Movie Productions
• Elder-Dalrymple Productions
• Eldridge Films Ltd.
• Electra Films
• Electric Ballroom Productions
• Electric Blue Films
• Electric Dog & Bear
• Electric Egg
• Electric Eye Pictures
• Electric Films
• Electric House
• Electric Pictures
• Electric Publications Productions
• Electric Rainbow Productions
• Electric Scribes
• Electric Sheep
• Electric Sky
• Electric Sky Productions
• Electric Video
• Electrocord
• Electromedia
• Electronic Arts (EA)
• Element Animation
• Elemental Films
• Elementary Films
• Elephant Features
• Elephant Films Limited
• Elephant Gun Films
• Elephant House
• Elephant Productions
• Elephant Rock
• Elerby Studios
• Eleven Films
• Eleventh Hour Films
• Eleventh Hour Productions
• Elfin Productions
• ELGATO Film Productions
• Elgin Films
• Elinor Glyn Productions
• Elite
• Elite Entertainment Enterprises
• Elite Film Company
• Elite Sales Agency
• Elite Systems
• Elixir Studios
• Ella Communications Ltd.
• Ellen Star Productions
• Elliander Pictures
• Elliot Manches
• Elliot Productions
• Elliott / Wilkes Production
• Ellipsis
• Ellipsis Creative
• Ellipsis Films
• Ellman Productions
• Elly Productions
• Elmadno Productions
• Elmbourne Films
• Elmgate Productions
• ELMinnocence
• Elmside Films
• Elsinore Productions
• Elson Media
• Elstree Independent Films Ltd.
• Elstree Studio Productions
• Elvey-Gartside Productions
• Elysium Films
• Elysium Productions
• EM Media
• E-Magic Entertainment Studios
• Emanation Films
• Embankment Fellowship Centre
• Embargo Films
• Embarkation Media Group
• Embassy Pictures (Associated) Ltd.
• Embeesea Media
• Emberlense Productions
• Embrace Arts
• Embrace Productions
• Emerging Species
• EMI
• EMI Classics
• EMI Film Productions
• EMI Films
• EMI Music
• EMI Records
• Emily Man Productions
• Emitel
• EmJay Productions
• Emmett Dalton Productions
• Emmi
• Empathy Group Productions
• Emperor Media
• Empire Film Company
• Empire Film Manufacturing Company
• Empire Film Productions
• Empire Interactive Europe
• Empire Marketing Board Film Unit
• Empire Media Productions
• Empire Motion Pictures
• Empire Productions
• Empire Tea Marketing Board
• Emu Films
• Enanoski Productions
• Encore Films
• Encore Productions
• Encounter Films
• End Street Productions
• Endangered Films
• Endboard Productions
• Endeavour Films
• Endeavour Productions
• Endemol Entertainment UK
• Endemol Productions UK
• Endemol West
• Endoftime Productions
• Endor Productions
• Endrant Studios
• Enemy Films U.K. Ltd.
• Engine Cottage Films
• England’s Lane Productions
• English / Kushner Productions
• English Channel Productions
• English Films
• English Folk Dance and Song Society
• English National Opera
• English Shakespeare Company
• Enhanced Dimensions
• Enigma Motion Pictures
• Enigma Productions
• Enigma TV
• Enigmar Entertainment
• Enigmatic Productions
• enJoy Film
• Enjoy Films
• Enlightenment Productions
• Entanglement Productions
• Entara Ltd.
• Entente Cordiale Productions
• Enterprise Films
• Entertain ME
• Entertainment Artistes’ Benevolent Fund
• Entertainment Film Distributors
• Entertainment Films
• Entertainment Leisure Marketing
• Entertainment Motion Pictures (E-MOTION)
• Entertainment One
• Entertainment Partners Ltd.
• Entertainment Productions (EP)
• Entertainment Productions
• Entertainment Rights
• Entitled Productions
• Environmental Investigation Agency
• Environmental Justice Foundation (EJF)
• Eon Productions
• Eos Films
• Eothen Films
• EP Productions
• Epic Commercials
• Epic Film Capital
• Epic Motion Pictures
• Epica Ltd.
• Epicam Productions
• EpicDemic Productions
• Epidaurus Films
• Epik Television
• Epiphany Productions (II)
• Epiphany Productions
• EPL Pictures
• Epoch Films
• Eq Films
• Equilibrium Films
• Equity British Films
• Erasmus
• Erbacher Productions
• Erebus Films
• Eric Hakim Productions
• Erica Starling
• Erik Knudsen Films
• Erik Moore
• Eromeda Entertainment
• Eros International
• Erotic Flesh Productions
• Errant Films
• ESA Films
• Escalier 39 Ltd.
• Escape Films
• Escaped Snail Productions
• Escelion FIlms
• ESG Media
• eSixty
• Eskay Productions
• ESP Productions Ltd.
• Esperanto Films
• Espresso Animation
• Essential Film and Television
• Essential TV
• Esso
• Esso Petroleum Company
• Establishment Films Limited
• Esta’s Television Company
• Estel Productions
• Estuary Films
• Eternal Films
• Eternal Media Productions
• Eternal Productions
• Eternal Storm
• Ether Chaser Films
• Ethics Online
• Ethiro-Alliance
• Ethnic Quota Productions
• Ethos Creative
• Ettinger Brothers
• ETV
• Euan Lloyd Productions
• Eulalie Productions
• Euphoria Films
• Euro Center
• Euro Film Funding
• Euroboy
• Eurocom
• Eurocom Entertainment Software
• Eurocreme
• Eurofilm
• Euroimage EOOD
• European Blair Camera Company
• European Broadcast
• European Channel Development
• European Colour Productions
• European Consultancy (UK)
• European Co-production Fund
• European Drama Network
• European Video
• EuroWorld Studios
• Euston Films
• Evade Films
• Evans-Phillips Productions
• Eve & Eve & Eve
• Eve Balfour Films
• Eve Promotions
• Eve Was Framed
• Event Films
• Event Films Limited
• Event Television Ltd.
• Everest Pictures Ltd.
• Everglades Productions
• Evergreen Media Europe
• Evergreen Productions
• Everlasting Pictures
• Every Generation Media
• Every Picture Ltd.
• Everyman Films
• Everyone’s Going To Die
• Everything is Illustrated
• Evil Hypnotist Productions
• Evil Lighthouse
• Evil Pug Productions
• Evofilms
• Evoke Films
• Evolution Studios
• Ewan Bailey Films
• Ews Mi! Productions
• Excalibur Films
• Excel Films
• Excelsior
• Excelsior Group Productions
• Exclusive Films
• Exeter College FdA TV Production
• Exeter Phoenix
• Exient
• Exit 71 Films
• Exit Strategy Productions
• Exotic Entertainment Productions
• Expanding Universe
• Exploding Bobblehead Productions
• Exploitation Films
• Exploitation Pictures
• Exploited Film
• Exploration Films Ltd.
• Explore Films
• Explorer Films
• Explosive Cookie Films
• Explosive Studios
• Express Films
• expressive (Scotland) Ltd.
• Expressive Arts Productions
• Exquisite Corpse Films
• Extonation Productions
• Extra Digit
• Extra Mile Studios
• Extra Value Films
• Extraordinary Films
• Extreme Productions
• Extreme Sports Channel
• Extremely Small Films
• Extremely Strange Pictures
• Eye 4 Films
• Eye Cue Films
• Eye Deal Image
• Eye Film & TV
• Eye Film and Television
• Eye Films
• Eye Group
• Eye Love Films
• Eye of the Beholder Ltd.
• Eye Of The Muffin Productions
• Eye to Eye Films
• Eye to Eye Productions
• Eye4Films
• Eyebrid Blaze
• Eye-Cue Pictures
• Eyedoll Productions
• Eyeful Pictures
• Eyefull Entertainment
• Eyefull Productions
• Eyeline Entertainment
• Eyeline Media
• Eyeline Productions
• Eyeplugin Media Corporation
• Eyes Alive Productions
• Eyes Forward
• eyeVirus productions
• Eyeworks
• Eyris
• Eze as Pi Productions
• F & F VI Productions A.I.E.
• F ‘n’ G Productions
• F. Harvard
• F.A.M.E.
• F.H. Filmproduction Limited
• F27 Films
• F4 Jump Cuts
• Fab Film Production
• Faber & Faber
• Fabian-Werner Entertainment
• Fable Films
• Fablevision Studios
• Fabulous Films
• Fabulous Fruits
• FAC TV
• Face Films
• Face Productions
• Face Television
• Facepunch Studios
• Fact Not Fiction Films
• Fact TV UK
• Faction Films
• Faction North
• Factor Films
• Factor X Films
• Factory Fifteen
• Factory Films
• Factory Gate Productions
• Factory Pictures
• Factory Publishing
• Factotum
• Factotum Films
• Facts and Fantasies
• Fahrenheit Films
• Failing Gracefully Productions
• Fairbanks Productions
• Fairchild Productions
• Fairfax-Pearce
• Fairground Pictures
• Fairley Wright Productions
• Fairline Productions
• Fairly Odd Films
• Fairview Estates
• Fairwater Films
• Faith Film Company
• Faking it Productions Ltd.
• Falcon Features
• Falcon Films
• Falcon Media Limited
• Falcon Productions
• Falconer Productions
• Falkman Production
• Fallen Dreams Ltd.
• Fallen Eagle Films
• Falling Films
• Falling Shadows Productions
• Fallingwater Films
• Fallout Productions
• Falmouth College of Arts
• Fama Films Ltd.
• Family Planning Association
• Famous British
• Famous Players Guild
• Fanaticgroupfilms
• Fanderson
• Fanfare
• Fantastica Pictures
• Fantasy
• Fantasy Blue Productions
• Fantasy Factory Films
• Fantasy Films
• Fantasy Ridge Productions
• Fantasy X Publication
• Fantom Films
• Fantome Line
• FAQs
• Far North Film
• Far Out Film Company
• Faraflix
• Farcical Verite Films
• Farmhouse Pictures
• Farnham Film Company
• Faroutman Productions
• Farrago Entertainment
• Farting Dog Productions
• Farzana Films
• Fascination Pictures
• Faster Baby Ltd.
• Faster Productions
• Fastville Productions
• Fat Cat Productions
• Fat Cat Records
• Fat Cats Productions
• Fat City Films
• Fat Fish Films
• Fat Fox
• Fat Pictures Ltd.
• Fat Pig Productions
• Fat Rat Films
• Fatal Black
• Fatbaby Films
• Father Films
• Fat-Pie
• Fatum Films
• FAVA Rental
• Favourite Colour: Black
• Favourite Films
• Fay Films
• Fayed Films
• Fayrstede Productions
• FDM Productions
• Fear Driven Films
• Fear Factory
• Fearful Symmetry Productions
• Fearless Films
• Fearless Freak Productions
• FearMasters
• Fearnort Production
• Feasible Films
• Feast Films
• Feature Film Company
• Feature One
• Feature One Productions
• Feature Productions
• February Films
• Fecund Films
• Federated Film Corporation
• Fee Fie Foe Films
• Feed the Minds
• Feel Films
• Feel Media
• Feelgood Fiction
• Feelgood Films
• Felgate Productions
• Felix Films Entertainment
• Felix Productions
• FelixFilms
• Felt
• Fen Productions
• Fena Films
• FennlassProductions
• Fentoozle Media
• Feral Goat Film
• Ferguson Films
• Fern Gully Tales
• Fernwood Productions
• Ferret Films
• Ferris Entertainment
• Festalworth
• Festival Film & Television
• Festival Films
• Festival Music Television
• Fetter Productions
• Fever
• Fever Media
• Fever Productions
• FFAB:UK
• Ffilm Cymru
• Ffilmiau Bryngwyn
• Ffilmiau Fiona Films Cyf
• Ffilmiau Fondue Films
• Ffilmiau Nant
• Fflic
• Ffreebirds
• FGR Studios
• FGS Productions
• FH Films
• FHC Productions
• FHM
• Fiction Factory
• Fiction Film & Television Limited
• Fiction Sphere Productions
• Fiddy West Productions
• Fidelity Films
• Fidesfortuna Films
• Fidget Films
• Field of Arrows
• FieldWorks
• Fient Productions
• Fierce Cat Media
• Fierce Features
• Fierce Productions
• Fierce Vision
• Fiesta Productions
• FIFA TV
• Fifteen and a Half
• Fifteen Productions
• Fifth Channel
• Fifth Column Films
• Fifth Generation
• Fifty Fathoms Productions
• Fifty Three Degrees North
• Fig Productions
• Fight Me Productions
• Fighting Spirit Films
• Fighting Spirit Productions
• Figli Migli Productions
• Figment Films
• Figment TV Productions
• Filistar Productions
• Filling Station Films
• Fillum
• FILM 15 Productions
• Film 4
• Film Agency for Wales
• Film and General Productions
• Film and History Project
• Film and Music Entertainment (F&ME)
• Film and Video Umbrella
• Film Art Group
• Film Autre
• Film Centre
• Film Centre International
• Film City Productions
• Film Club
• Film Collective
• Film Coolio
• Film Council
• Film Cutters
• Film Designers
• Film Division Productions
• Film Drama
• Film Engine
• Film Engineering
• Film Erotica
• Film Exchange
• Film Factory Pictures
• Film Ficciones
• Film For Real
• Film Foundry
• Film Four
• Film Four International
• Film Image Limited
• Film Instinct
• Film Lane Productions
• Film Locations
• Film London
• Film London Artists’ Moving Image Network
• Film MA
• Film Manufacturing Company
• Film Nouveau
• Film Partners 20:20 Vision Ltd.
• Film Partnership
• Film Producers Guild
• Film Raptor Productions
• Film Sales Financing
• Film Services Ltd.
• Film Stars
• Film Tests
• Film Traders Ltd.
• Film Tribe
• Film Venture
• Film Village
• Film Workshop
• Film38
• Film4
• Film77
• Film’84 International
• Filmaddict productions
• Filmakers
• Filmart
• FilmArt Productions
• Filmdock Productions
• Filmedup
• Filmessence
• FilmFair
• FilmFour
• Filmhouse Motion Pictures
• Filmic Media
• Filmitrix
• FilmMA
• Filmmaker at Large
• Filmonik
• Filmpro
• Filmrage
• FilmRyan Productions
• Films From M.A.R.S
• Films Noirs
• Films of Fact
• Films of Misfortune
• Films of Record
• Films of Scotland
• Films of Scotland Committee
• Films of Today
• Films on Fire
• Films R Us Video Production
• Films UK
• Films United
• Filmscreen International
• Filmscreen Productions Ltd.
• FilmWave
• Filmways
• Filthy Lucre Productions
• Filthy Pictures
• Fin London
• Fin Scotland Productions
• Final Cut
• Final Cut Films
• Final Fight Films
• Final Whistle
• Financial Services Authority
• Finchley Methodist Church
• Fine Art
• Fine Cut Pictures
• Fine Take Productions
• Fine Time Film & Television
• FineLight Films
• Finest Hour Productions
• Finestripe Productions
• Finger Click
• Finger Store Films
• Fingercuff Productions
• Finished Films
• Finite Films
• Finite Productions
• Finition Productions
• Finn McCool Films
• Finola Dwyer Productions
• FinScotland
• Fiona Cooper
• Fiona Murphy
• FiP
• Fir Tree Films
• Fire Global Media
• Fire in the Hole Productions
• Fire Moth Productions
• Fire Mountain Productions
• Fireback Entertainment
• Firebird Films
• Firebird Software
• Firebrand Films
• Firebrand Games
• Firecracker Films
• Firecrest Films
• Firefly
• Firefly Film and Television Productions
• Firefly Independent Films
• FireFox Productions
• Firehorse Films
• Fireproof Films
• Fireside Favourites
• Firetail Films
• Firewalk Films
• First Born Films
• First Choice Films 2004
• First Circle Films
• First City Features Ltd.
• First City Film Productions
• First Cut
• First Day Productions
• First Eye Productions
• First Film Company
• First Film Foundation
• First Foot Films
• First Freedom
• First Hand Features
• First Hand Films
• First Independent Films
• First Lady Films
• First Light Movies
• First Look Television
• First Musketeer
• First National Pictures
• First National-Pathé Pictures
• First Reel Film Productions
• First Reels
• First Round Films
• First Serve Toonz
• First Star Films Ltd.
• First Step Films
• First Take Films
• First Take Productions
• First Take Video
• Firstlight
• Firstlook TV
• Fish Star Media
• Fishercat
• Fishkinfilms
• Fishmongerfilm
• Fish-pot Productions
• Fit to Fill Productions Ltd.
• FitzPatrick Pictures
• Fitzroy Films Ltd.
• Five
• Five Feet Films
• Five Frames Left
• Five Grooves Productions
• Five Ocean Films Ltd.
• Five Star Films Ltd.
• Fiveway Films
• Fix Films
• Fix Studio
• Fixers The Movie
• Fizz and Ginger Films
• Fizz Films
• Flair Software
• Flakjacket Films Ltd.
• Flame Models
• Flame Television Production Ltd.
• Flame47
• Flaming Pie Films London
• Flamingo Films Ltd.
• Flamingo Pictures
• Flare Productions
• Flash & Harry Pictures